Featured Post

You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

Image
Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Breaking bread: Eating Myself @BrxHouseTheatre


Food as a starter for conversation, making a new family, and finding a place is at the heart of Eating Myself, Pepa Duarte’s story of exploring what it is to be a woman from Peru, living in London, living with unrealistic body images. It’s having a short run at the Brixton House as part of the Housemates season, where artists take over the house throughout July.

In this short piece, which has previously been online, Pepa explains how she cooks on a stovetop a Peruvian dish with beans and potatoes and a lot of added extras that, when growing up, she was never supposed to eat. It reminds her of her grandmother and brings her back to her roots. As the show progresses, the dish's aromas waft through the audience bringing to life the words in a sensory experience. And one that might make you a little hungry. 


But it also is a story about diets and calorie counting. Pepa directly asks the audience if they think she is fat. It’s a direct question to the audience that sets the scene about body image. But she also uses her body to convey her battles with body image and her attempts at dieting, and the exhausting yet scientifically dubious process of calorie counting. She parades, hides under tables, and rolls on the floor in an endearing performance as she recounts her struggles and those of her relatives. 

In addition to a stovetop, various other kitchen utensils and foods hang in the background as part of some surreal religious experience. Perhaps, in this case, they are. 

And for those who found the aromas too irresistible throughout the show, you can take a bowl of the dish with them to the next show as well. 

Written and performed by Pepa Duarte, Eating Myself is at Brixton House as part of the Housemates season only until 15 July. 

⭐️⭐️⭐️⭐️


Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...