Paul in London

Coral can weather all sorts of undersea turbulence. Small and adaptable, it survives in its watery world. And so 100 years from when it last performed in the UK, we have The Coral. A piece about the forces of capitalism in a dystopian dog-eat-dog world. It's currently playing at the Finborough Theatre. Whether it has survived the forces of change over the last 100 years might be a topic of post-theatre debate on your way home. There are no names in the piece. There are just people with characteristics such as the secretary, the daughters and the millionaire. The focus of the piece is on the millionaire. A play from 100 years ago will not keep up with inflation, but he is wealthy and powerful in this world. It is also a dangerous world. And so he also uses his secretary, his doppelgänger, so he can be everywhere while also sitting back on his yacht with his daughters.  But besides the troubles at his factories and pamphlets calling for change, he has other problems. When his daughte...

It’s a boys life in Quaint Honour. It’s currently having a sold-out run at the Finborough Theatre . It’s set in a boarding school in 1950s England. Where among the study, cricket and Shakespearian productions, homosexual activity is rampant. It’s not encouraged, but its seen as something to pass the time between all that study and sport. And there’s enough ambiguity about these relationships for the house master to turn a blind eye. The premise is that Tully (Harley Viveash), a prefect, accepts a challenge to seduce younger pupil Hamilton (Jack Archer). It’s all meant to be harmless fun but the pair develop stronger feelings for each other. And even as the play reaches its predictable conclusions, you can’t help but enjoy the time you spent with these characters.

Poor Mr Gillie. A headmaster at a small village  school railing against the norms and expectations of the time. It's like a poor mans Dead Poets Society... Without the privileged young men, the cliches or the sentimentality. It's funny too which makes this piece enjoyable even if it is a little long. Here life is the pits, and Mr Gillie was the only hope for anyone who didn't care for that. It's playing at the Finborough Theatre and is the first London production in over 60 years of James Bridie's work. It opens with the a judge and barrister discussing the life of Mr Gillie. Mr Gillie and his wife had been evicted from their schoolmaster's house after the closing down of the school. The furniture van was coming to clear out his things but had run over and killed him. Now the  judge and barrister would have to decide whether his life had any point.