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Showing posts with the label Dorothea Myer-Bennett

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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the
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Love and war: Creditors @JSTheatre

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Walking into Jermyn Street Theatre to see the new translation of Strindberg's Creditors feels like you're transported to a small seaside hotel in the late 1800s. The sounds, look and feel, takes you there on some unknown Nordic island where the action takes place. And it's gorgeousness lulls you into a false sense of security for the mind games that are about to take place over the next ninety minutes. It opens with Adolf (James Sheldon), talking desperately about the love for his new wife with a man he recently has befriended, Gustaf (David Sturzaker). She's just published a book about her idiotic husband from her first marriage and now gone away for a few days. And her absence is driving Adolf crazy. He's stopped painting and started working on a very sexually provocative sculpture. But his new friend is sowing the seeds of doubt about his wife. He saw her on the ferry chatting to some young men. And as Adolf becomes increasingly neurotic about his new
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