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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Grudge match: The Wasp @JSTheatre

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Just how long can you hold a grudge? Well it probably depends on what exactly went down at school. Morgan Lloyd Malcolm's The Wasp is back in the West End. It last appeared in 2015 at Hampstead Theatre and then transfered to Trafalgar Studios. Two years on, it's at the  Jermyn Street Theatre  and just as chilling and just as spooky. Although perhaps having seen it all before, you see more of the mechanics behind the story that evolves over cups of tea.  The story is about Carla and Heather. They were once schoolmates but drifted apart due to their different backgrounds. And one or two horrible incidents. Heather has become a successful businesswoman. She drinks lattes and has nice clothes. Carla is probably just about managing - pregnant and in a track suit - and prefers builders tea. The scene is set for what you think will be a class struggle and then Heather asks Carla if she would help her kill her husband.