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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Murder on the dance floor: Disco Pigs @TrafStudios

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Twenty years on, Enda Walsh's Disco Pigs still manages to shock and fascinate with its evocative and provocative world of deprivation. It's currently playing at Trafalgar Studios . But with its endless slang and two unpleasant characters, it's often an an impenetrable world. Even with two masterful performances and slick production values, this is still a journey through hell. The piece is about Pig and Runt. Born on the same day and at the same time in the same hospital, they've been inseparable all their lives. They have their own language, own rules, and exist in a world of petty crime, violence, drinking and dancing... But as they approach adulthood, Pig's feelings for Runt grow. Runt struggles to break away from Pig's advances and the world in which they have built over their lives.