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Belters and bohemians: Opera Locos @Sadlers_wells

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At the start of the Opera Locos performance, the announcement says that they really are singing. You could be forgiven for wondering that, given the amplification turns up the backing track and the voices so loud that you can't always tell what's real. But this is a mostly harmless and slightly eccentric blend of opera classics fused with the occasional pop classic. However, recognising the pop tunes would help if you were over a certain age. The most recent of them dates back twenty years. It's currently playing at the Peacock Theatre .  Five performers play out a variety of archetype opera characters. There's the worn-out tenor (Jesús Álvarez), the macho baritone (Enrique Sánchez-Ramos), the eccentric counter-tenor (Michaël Kone), the dreamy soprano (María Rey-Joly) and the wild mezzo-soprano (Mayca Teba). Since my singing days, I haven't recognised these types of performers. However, once, I recall a conductor saying he wanted no mezzo-sopranos singing with the s

I Can do That: Bring It On @swkplay

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Some death-defying cheerleading stunts and a whole lot of energy make the British Theatre Academy’s youth production of Bring It On a slick and polished extravaganza. Even if perhaps the acrobatic-style choreography comes at the expense of the vocals. And at times seems to look painful. It’s currently playing at the Southwark Playhouse . There’s no denying the excitement of watching talented individuals bend and snap their way through a series of complicated manoeuvres. It builds up to a finale that has enough throws, cartwheels and catches to have you gasping in amazement. Bring it On is based on the 2000 movie of the same name starring Kirsten Dunst. It’s fascinating to contemplate how many of the cast may not have even been born then. It’s about a cheerleader who is transferred from a middle class school to a rough one so a rival can take her place. She then plots her revenge. For a show called Bring It On, it takes a while to get going. The music has two composers. Tom Kitt and Ama