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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Sex, violence and caviar: Men's Business @finborough

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Life's a dog in Men's Business. It's a nasty, cruel life where amongst the banality of everything, love, or something resembling a bit of it, exists out of a butcher's shop. And in between feeding dogs or chopping up offcuts of meat to sell as pet food, there's always time for sex and violence. The play gets into these dark and disturbing themes, inviting the audience to immerse themselves in this claustrophobic world. It's not a pleasant night at the theatre. Still, the intensity of the piece in the confined space of the Finborough Theatre and the exploration of these ideas make for an engrossing experience.   This is a new translation by Simon Stephens of Franz Xaver Kroetz's work. Initially published in 1972 and would later be expanded in the piece Through The Leaves, the action is set in a butcher's shop.  We're introduced to Charlie (Lauren Farrell), who inherited the shop from her father. Family don't seem to be around anymore. All she has...

Age of innocence: Country Music @Omnibus_Theatre

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The latest instalment of the Up series landed this week. It tracks the lives of a bunch of unrepresentative British people every seven years. Fascinating in its ordinariness and irritating by director Michael Apted's random and pompous commentary, it was on my mind as I was watching Country Music. It's a much more subtle exploration on how people change over time. Or at least your perception of them. And how your life can be shaped from your early years in ways you can never appreciate. It's currently playing at the Omnibus Theatre . Jamie (Cary Cranson) and his girl from school, Lynsey (Rebecca Stone) are in a car Jamie has stolen. Along with a large bag of crisps. It's 1983, and they're just out of school. They talk about getting away and the benefits of different flavours of crisps. But beneath the surface, something isn't quite right. Jamie has a short fuse. There's talk about a mighty fight. And soon, Lynsey is scared. Things jump forward a f...