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Love is all you need: The Island @cervantesthtr

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A drama set on the seventh floor of a non-descript hospital waiting room may not be everyone's idea of a great night at the theatre. But love and all other forms of the human condition are dissected in Juan Carlos Rubio's The Island. Translated by Tim Gutteridge, it feels like everything is up for grabs. What is love? Is it a bond between two women with a fifteen-year age gap? Is it the love between a mother and her son with a severe unknown disability? A wonderful life full of health and happiness is not always an option on the menu, and the choices may become a bit less palatable. Throughout a series of sometimes banal conversations, what comes out is a story of two women with lives that are separate and together. And while the piece becomes darker on one level as it progresses, it never ceases to fascinate and draw further insights into the couples. It's currently playing at the Cervantes Theatre .  A couple waits in a hospital waiting room for the outcome of an accident

Age of innocence: Country Music @Omnibus_Theatre


The latest instalment of the Up series landed this week. It tracks the lives of a bunch of unrepresentative British people every seven years. Fascinating in its ordinariness and irritating by director Michael Apted's random and pompous commentary, it was on my mind as I was watching Country Music. It's a much more subtle exploration on how people change over time. Or at least your perception of them. And how your life can be shaped from your early years in ways you can never appreciate. It's currently playing at the Omnibus Theatre.

Jamie (Cary Cranson) and his girl from school, Lynsey (Rebecca Stone) are in a car Jamie has stolen. Along with a large bag of crisps. It's 1983, and they're just out of school. They talk about getting away and the benefits of different flavours of crisps. But beneath the surface, something isn't quite right. Jamie has a short fuse. There's talk about a mighty fight. And soon, Lynsey is scared.


Things jump forward a few years, and Jamie is in prison. His brother Matty (Dario Coates) is visiting. Talk shifts soon to the cause of his incarceration, and the sacrifices Jamie has made, including to protect his little brother. Next, we see Jamie out of jail but confined to a bedsit. His daughter, Emma (Frances Knight) visits out of curiosity, much to the disappointment of Jamie.

Through the careful positioning of the characters, your sympathies and understanding of Jamie shifts during the piece. Jamie, at the outset, seems dangerous to himself and everyone around him. But he isn't a monster. It's a smart piece of writing that the cast serves well, particularly by Crankston who sensitively portrays Jamie from thug to broken man.

Written by Simon Stephens and directed by Scott Le Crass, Country Music is at the Omnibus Theatre until 23 June.

⭐️⭐️⭐️⭐️

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