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Showing posts with the label John Haidar

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Belters and bohemians: Opera Locos @Sadlers_wells

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At the start of the Opera Locos performance, the announcement says that they really are singing. You could be forgiven for wondering that, given the amplification turns up the backing track and the voices so loud that you can't always tell what's real. But this is a mostly harmless and slightly eccentric blend of opera classics fused with the occasional pop classic. However, recognising the pop tunes would help if you were over a certain age. The most recent of them dates back twenty years. It's currently playing at the Peacock Theatre .  Five performers play out a variety of archetype opera characters. There's the worn-out tenor (Jesús Álvarez), the macho baritone (Enrique Sánchez-Ramos), the eccentric counter-tenor (Michaël Kone), the dreamy soprano (María Rey-Joly) and the wild mezzo-soprano (Mayca Teba). Since my singing days, I haven't recognised these types of performers. However, once, I recall a conductor saying he wanted no mezzo-sopranos singing with the s

Murder on the dance floor: Disco Pigs @TrafStudios

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Twenty years on, Enda Walsh's Disco Pigs still manages to shock and fascinate with its evocative and provocative world of deprivation. It's currently playing at Trafalgar Studios . But with its endless slang and two unpleasant characters, it's often an an impenetrable world. Even with two masterful performances and slick production values, this is still a journey through hell. The piece is about Pig and Runt. Born on the same day and at the same time in the same hospital, they've been inseparable all their lives. They have their own language, own rules, and exist in a world of petty crime, violence, drinking and dancing... But as they approach adulthood, Pig's feelings for Runt grow. Runt struggles to break away from Pig's advances and the world in which they have built over their lives.