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Eternal guilt: Dorian The Musical @SWKplay

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Dorian is a new musical that updates Oscar Wilde’s gothic novel from the uptight Victorian era to an undetermined period of gender fluidity and glam rock. On paper, musicalising the Picture of Dorian Gray to a period of glam rock, social media, and cheap shoes seems like a good idea. After all, Oscar Wilde’s gothic story is very adaptable. It has been the source of countless adaptations for the stage, television or movies. I was half expecting a trashy Dorian, similar to the early 1980s telemovie that shifted Dorian’s gender to a woman. This version falls into a so bad it’s good category with Anthony Perkins in a lead role, who as he ages under makeup starts to look like Andy Warhol.  And while it’s great to see a new show, a strong cast can’t compensate for such an earnest production with underpowered songs. There’s no sense of fun, and some curious staging and costume choices  -mismatched dresses, crocodile boots and furry suits - serve as a distraction. It’s currently playing at th

Outrageous Sustenance: The Return of Benjamin Lay @Finborough

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The Finborough Theatre has its windows open to the world outside in The Return of Benjamin Lay. The evening sunlight fills the theatre space, and a giant tree outside the building gives you peace and tranquillity. It's as if you almost forget you are in a theatre just off the A3320 - a road known for pollution, noise and traffic congestion. Yet, recreating a Quaker meeting room for the piece also provokes the audience to reflect on how the life and times of a slavery abolitionist from the 1700s has something to say about our current times of modern slavery, prejudice and ignorance. It's currently having its world premiere at the Finborough Theatre.  Benjamin Lay was a revolutionary slavery abolitionist who lived in the 1700s. Having witnessed first-hand the atrocities of slavery in Barbados, he campaigned against it vigorously, including kidnapping a child of enslavers so they could see how it felt. For a man ahead of his time, the Quaker community disowned him. This monologue