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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Outrageous Sustenance: The Return of Benjamin Lay @Finborough


The Finborough Theatre has its windows open to the world outside in The Return of Benjamin Lay. The evening sunlight fills the theatre space, and a giant tree outside the building gives you peace and tranquillity. It's as if you almost forget you are in a theatre just off the A3320 - a road known for pollution, noise and traffic congestion. Yet, recreating a Quaker meeting room for the piece also provokes the audience to reflect on how the life and times of a slavery abolitionist from the 1700s has something to say about our current times of modern slavery, prejudice and ignorance. It's currently having its world premiere at the Finborough Theatre. 


Benjamin Lay was a revolutionary slavery abolitionist who lived in the 1700s. Having witnessed first-hand the atrocities of slavery in Barbados, he campaigned against it vigorously, including kidnapping a child of enslavers so they could see how it felt. For a man ahead of his time, the Quaker community disowned him. This monologue imagines him returning to a Quaker community, recounting his life and explaining his actions. But as he begs to re-enter the society that abandoned him, he realises that his quest is different and more radical. There's a moment when he recounts that his wife tells him his anger is good-hearted but not sustenance. It feels that the piece plays between the tension of outrage and idealism throughout the ages. And for anyone told down to dial down their enthusiasm (or outrage), here’s a piece to suggest perhaps you should be dialling it up. 

The piece by Naomi Wallace and Marcus Rediker is a part history lesson and a call to action. In the title role, Mark Povinelli creates the time and place with an energetic and evocative recounting of his times and the various characters in his life. He bounds across the stage and engages with the audience. The audience participation isn't always successful and probably depends on the books they read. Thankfully I wasn't asked to confirm I was reading William Goldman's "The Season: A Candid Look at Broadway" as that would have killed the mood. However, it's a thrilling theatrical event in any case. 

Directed by Ron Daniels, the Return of Benjamin Lay is at the Finborough Theatre until 8 July. 

⭐️⭐️⭐️⭐️



Photos by Robert Boulton 


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