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False alarms: Diagnosis @finborough

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Nobody likes Cassandra, and like the Trojan princess who was given the gift of being able to see the future but cursed so that nobody would believe her, the woman at the centre of this piece could see into the not-too-distant future. She can see that disaster is about to strike. But she’s dismissed as a vulnerable, crazy lady who maybe had a bit too much to drink. This is the premise of “Diagnosis,” currently playing at the Finborough Theatre , written and performed by Athena Stevens.  You enter the Finborough under surveillance. The camera is pointed at the audience, and it soon becomes clear that we are somewhere in the not-too-distant future in London. A city where surveillance already abounds so we can capture all sorts of crimes taking place (albeit not in ultra-high definition).  In the future, every police station will record interviews with an audience with “vulnerable persons” involved. This is to ensure no police misconduct occurs. A police officer (Ché Walker) is in...

Death Becomes Her: La Traviata @RoyalOperaHouse

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The original hooker with a heart of gold (and lungs full of blood) is back at The Royal Opera House for the Christmas period and beyond. It’s a bright and stylish production that was first seen at the Royal Opera twenty five years ago. But La Traviata, or the “fallen woman”, is more than just froth, bubbles and champagne. It’s also about the frailty of life and how redemption can come in many guises. In this particular version conducted by Daniel Oren, it’s the somber more reflective moments that stand out. Whether you like that sort of thing or not.  In case you were wondering if there’s a plot to all these emotions in La Traviata, it centres around Violetta, a courtesan who at one of her lavish parties dumps one lover for another. But her new suitor, a moderately wealthy man called Alfredo, turns out to be more than she expected and they both fall in love. Meanwhile Alfredo’s bourgeois father seeks to restore the family honour while Violetta grapples with moral choices wh...

Opera Quick looks: Grand drama with Les Vêpres siciliennes #Rohvepres

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It is a spectacular and grand evening at the opera with the current production of Les Vêpres siciliennes . I caught the sixth ever performance of this production at the Royal Opera (which is also being broadcast around the world at cinemas ). While it helps to understand the historical context of the thirteenth century French occupation of Sicily, even more important is understanding a grand opera, its characteristics and excesses. Once you accept all this, it is a hell of a night. The production manages to pare back some of the spectacle in favour of focusing the story on four principals and a story of betrayal and family secrets is brought to the fore. The production is more a commentary on grand opera traditions, but works. Verdi's music with the Orchestra of the Royal Opera House and conductor Antonio Pappano is so stirring and rousing its tempting to want to join the revolutionaries. There are two more nights for it to run and a handful of tickets are available. Don'...