Paul in London

Two ladies looking for wealthy men to marry might seem like an unusual musical for revival in this #metoo era. But with Gentlemen Prefer Blondes, the Union Theatre transforms into a bubbling 1920s escapist fantasy. Amongst the froth, there are also some shrewd observations about harassment and survival in a man’s world. And with a terrific cast, exhilarating dance numbers and a fabulous set and costumes, it has to be one of the best things to see on the fringe right now. The tale of blonde gold-digger from Little Rock may be forever associated with Marilyn Monroe and Jane Russell. Walking into the Union Theatre with its red stage feels like a reminder this is the show where Marilyn performs Diamonds Are A Girls Best Friend. But the musical, which dates from an earlier, more risque time has a lot more to say than the film. Unwanted advances, criminal charges and a revolutionary device that will change the face of fashion. It’s all here among some exuberant musical numbers. The ...

An evening of songs by composer Jerry Herman weaved into a song cycle about the excitement of being on stage, or anywhere for that matter is an unexpected joy. Particularly when it's sung by a young and energetic cast. It's currently playing at the Union Theatre . It's been over thirty years since an original Jerry Herman musical has been on stage. That none of the cast were born when these songs were written probably isn't lost on the audience.  But Herman's work remains almost a regular feature of the West End as Andrew Lloyd Webber's Evita or Joseph. Recent years have seen La Cage Aux Folles, Hello Dolly! Or Mack and Mabel.  For a period from the sixties through to the early eighties, Jerry Herman wrote musicals that helped define the idea of what a musical show should be. Emotional, funny and always tuneful.   Now there's a chance for a new generation of musical theatre graduates to take on his work. With the young cast of ten performer...

Around the World in Eighty Days at the Union Theatre is a youthful and energetic interpretation of Jules Verne’s novel. It’s silly and fun. And suitable for younger audiences over the holidays too. If you’re prepared to explain the scenes in an opium den and a rousing number about the virtues of polygamy.  Travel can be exhausting. In this piece adapted by Phil Willmott and Annemarie Lewis Thomas, there’s little time to dwell on the adventure. And each stop seems livelier than the next. No sooner as they stop in a particular city there’s a big song and dance extravaganza, expertly sung and executed. And then they’re off again. But you get the gist of the story anyway. Even if you shouldn’t think too much about it. Phileas Fogg (Sam Peggs) wagers a bet with his fellow members of his club that he could travel the world in eighty days. With his French valet Jean Passerpartout (Connor Hughes). Along the way they rescue a princess (Jasmin Minjoot) and get help from an English missionar...

Any time of the year you can watch Oliver! on television. Lionel Bart’s musical take on the tale of Dickens made him a fortune and is memorable for its music and a slick movie musical. A few years later under the influence of alcohol and LSD he wrote Twang!! A notorious and expensive disaster than ran for only 43 performances, it would cost him his fortune. But rest assured the Union Theatre hasn’t resurrected a curiosity for the benefit of musical theatre aficionados. As amusing in its own way that would be. This Twang!! is new. Or at least with a story that makes some form of sense. With a new book by Julian Woolford and updated orchestrations by Richard John, it’s a chance to see a lost Lionel Bart musical. The premise is that after years of robbing from the rich and giving to the poor Robin Hood has lost his twang. It’s a bit like the Middle Ages equivalent of mojo. It’s now his merry men who do most of the heavy lifting. Meanwhile Much, the millers son, has run away from home. He...