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Belters and bohemians: Opera Locos @Sadlers_wells

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At the start of the Opera Locos performance, the announcement says that they really are singing. You could be forgiven for wondering that, given the amplification turns up the backing track and the voices so loud that you can't always tell what's real. But this is a mostly harmless and slightly eccentric blend of opera classics fused with the occasional pop classic. However, recognising the pop tunes would help if you were over a certain age. The most recent of them dates back twenty years. It's currently playing at the Peacock Theatre .  Five performers play out a variety of archetype opera characters. There's the worn-out tenor (Jesús Álvarez), the macho baritone (Enrique Sánchez-Ramos), the eccentric counter-tenor (Michaël Kone), the dreamy soprano (María Rey-Joly) and the wild mezzo-soprano (Mayca Teba). Since my singing days, I haven't recognised these types of performers. However, once, I recall a conductor saying he wanted no mezzo-sopranos singing with the s

Racing with the clock: Around The World In 80 Days @TheUnionTheatre

Around the World in Eighty Days at the Union Theatre is a youthful and energetic interpretation of Jules Verne’s novel. It’s silly and fun. And suitable for younger audiences over the holidays too. If you’re prepared to explain the scenes in an opium den and a rousing number about the virtues of polygamy. 

Travel can be exhausting. In this piece adapted by Phil Willmott and Annemarie Lewis Thomas, there’s little time to dwell on the adventure. And each stop seems livelier than the next.

No sooner as they stop in a particular city there’s a big song and dance extravaganza, expertly sung and executed. And then they’re off again.

But you get the gist of the story anyway. Even if you shouldn’t think too much about it. Phileas Fogg (Sam Peggs) wagers a bet with his fellow members of his club that he could travel the world in eighty days. With his French valet Jean Passerpartout (Connor Hughes).

Along the way they rescue a princess (Jasmin Minjoot) and get help from an English missionary Miss Fotherington (Ceris Hine). It’s a likeable and funny cast for the most part. 

There’s added peril with a pantomime villain in the form of Captain Fix (Robert Oliver). His attempts to thwart the race sit awkwadly with the rest of this adaptation. Maybe if the audience were given cues to boo and hiss (or throw tomatoes) it would make sense. And it’s a shame the strong vocals have to sing along to an underpowered keyboard accompaniment and weak backing track. 

Directed by Brendan Matthew with choreography by Mitchell Harper. Musical direction is by Henry Brennan. Around the World in Eighty Days is at the Union Theatre until 1 September.

⭐️⭐️⭐️

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