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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

He had it coming: Burnt Up Love @finborough

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Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against...

Projections and doing time: Time Is Love @Finborough

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If there is hell on earth, it just might be in Los Angeles. The city is full of petty crime, bored lap dancers and the cops who after putting you away end up sleeping with your wife. Chè Walker’s play which is having its European premiere at the Finborough Theatre is often difficult to follow. It’s set in the last remaining barrios of East Los Angeles. Perhaps the central message is that even when a cop sleeps with your wife, no amount of revenge sex will make it better. But the produciton has assembled a great cast to tell the tale of bored friends and acquaintances who use sex and anger to pass the time. Benjamin Cawley and Gabriel Akuwudike establish a fascinating bromance as the petty criminals and longtime pals, Karl and Blaz. Karl leaves him to take the fall for a botched robbery. Three years later out of jail, nothing for Blaz seems right. Sheila Atim is mesmerising as the weary lap-dancer Rosa. And there’s a great scene with Sasha Frost the sex worker and ex school mate of B...