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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the

Mrs Lovett’s forefather: Titus Andronicus @arrowsandtraps @newwimbstudio

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Shakespeare’s gory Elizabethan shocker Titus Andronicus is less a tragedy than a blood soaked exercise in revenge. But it is given a slick (and slightly gory) updating by Arrows and Traps in this production currently playing at the New Wimbledon Theatre studio space. Heads in plastic bags, severed hands, twitter-based uprisings  combine in this production that borrows from a range of current trends to tell this tale of horror and revenge. But the cast assembled mostly keep the focus on the story for a brisk two hours, keeping a fine balance between the comic, creepy and sadistic elements at the heart of the story.