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Life upon the wicked stage: Already Perfect at Kings Head Theatre

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Performing two shows a day on a Broadway run sounds exhausting enough. But when you’ve just had a not-so-great matinee and are having a crisis of confidence, I would assume the last thing you’d want is to confront your past. Yet that’s the situation in Already Perfect, writer-performer Levi Kreis’s slightly autobiographical journey of confronting the past and his younger self. With a series of toe-tapping and emotional songs in a sleek production, you’re invited to experience someone else’s therapy session. And with a show title called Already Perfect, you know what kind of session this is going to be. It makes for a show where nothing is left unsaid, even if it is unnecessary,  unbelievable or best left on a greeting card. It’s currently playing at the King’s Head Theatre .  The story begins in his dressing room after a matinee, with Kreis alone. The show didn’t go so well. Struggling after being dumped by a lover, pressure mounting on the evening show being filmed for poster...

Extraordinary shenanigans: Extraordinary Women - Jermyn Street Theatre

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Compton Mackenzie’s novel about bed-hopping lesbians on Capri (here fictionalised as Sirene) and their escapades gets a musicalised treatment in this intimate show. It’s all a bit silly, really, and not much happens in the end. However, the musical succeeds in evoking a time, a place, and a mood with its sublime music and stellar cast. It’s currently playing at Jermyn Street Theatre.

Set in the aftermath of World War I in 1919, Extraordinary Women explores the lives of unconventional women—chiefly English writer Aurora (Caroline Sheen) and her lover, Rosalba (Amy Ellen Richardson). Aurora has purchased a villa on the island with the hope of encouraging her part-time lover, Rosalba, to settle down with her exclusively. However, Rosalba, who is romantically involved with several women and depends on them for her lifestyle, is hesitant to commit. The story revolves around their on-again, off-again romance, along with the various affairs among the other women on Sirene. Meanwhile, the ancient Greek goddesses act as spectators and occasional participants, offering commentary like a classic Greek chorus.

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Richardson brings fire with a Marlene Dietrich-like performance and appearance. Sophie Louise Dann delivers hilarious comic moments as the avant-garde French opera singer Cleo. Jack Butterworth, the lone male, plays five male characters and showcases his singing and dancing abilities. 

With so much bed-hopping and intrigue, it’s easy to lose track of who is seeing whom, but it’s even easier just to sit back and feel the spirit of the time and place that is unfolding before you. You may be in a basement theatre off Piccadilly Circus, but the show makes you feel like you could be on Capri.

The songs, with music by Sara Travis and lyrics by Richard Stirling, are exceptional, capturing the period’s musical styles. Some numbers, like “If Summer ends”, feel like modern standards fit for the cabaret circuit. The talented cast shines, supported by musical director Sam Sommerfeld on piano and James William-Pattison on double bass and guitar. The Jermyn Street Theatre’s intimate space suits the production, but hopefully this isn’t the show’s last outing.

Directed by Paul Foster, Extraordinary Women continues at the Jermyn Street Theatre until 10 August. 

⭐️⭐️⭐️⭐️

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Photos by Steve Gregson

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