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The male gaze: Turning the screw

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It's been a while since trips to the theatre. I've been busy. But it's nice to see that it's the creative process that is at the heart of Kevin Kelly's Turning the Screw. And what gives rise to it. It's a dramatisation of the creative process leading up to composer Benjamin Britten's premiere of his opera, The Turning of the Screw. With deadlines approaching, Britten seems stuck over melodies and unsure about completing the piece for its summer premiere. But the selection of twelve-year-old choirboy David Hemmings in the leading role of Miles within the opera is the spark that motivates him to complete the piece. And his presence may stir other feelings, too. It's currently playing at the Kings Head Theatre .  Britten's fascination with young boys has been the subject of a detailed book, Britten's Children. The book suggests that Britten saw himself as a young boy of 13. It's almost as if he saw himself as Peter Pan, albeit if Peter Pan was a

Meanwhile in Battersia: Scrooge and the Seven Dwarves @theatre503

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There is a scene in the early part of Scrooge and The Seven Dwarves at Theatre 503 where Santa appears and asks the children in the audience what they want for Christmas. "A butler" replies one. You know you're in Battersea with responses like that. But this isn't just a panto that you get your nanny to take the children to while shopping on Kings Road. The Sleeping Trees have again fused fairy tale and Christmas stories to create an anarchic panto tale about Christmas. With lashings of silliness to boot it may not be a traditional panto, but it is still a lot of fun.

Incestual manoeuvres: Fool For Love @Found111ldn

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  There are various things you can take from Fool For Love playing at Found111 . There isn’t much of a plot. It is more a series of sparring rounds that serve as a star vehicle for great performances. But you walk away thinking how love fades, horse floats burn well and incest is rife. It’s random in a way but enough to thrill and amuse. The couple in focus are Eddie ( Adam Rothenberg ) and May ( Lydia Wilson ). They take pot shots at each other and then kiss and make up. Along the way there is a mysterious old man (Joe McGann) and a new suitor Martin (Luke Neal). Sam Shepard wrote this piece between love affairs. He covers how two people can simultaneously love and loathe each other. But past injustices give way to more secrets and lies that suggest that old wounds don’t heal. They just get ripped open again and again.