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Eternal guilt: Dorian The Musical @SWKplay

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Dorian is a new musical that updates Oscar Wilde’s gothic novel from the uptight Victorian era to an undetermined period of gender fluidity and glam rock. On paper, musicalising the Picture of Dorian Gray to a period of glam rock, social media, and cheap shoes seems like a good idea. After all, Oscar Wilde’s gothic story is very adaptable. It has been the source of countless adaptations for the stage, television or movies. I was half expecting a trashy Dorian, similar to the early 1980s telemovie that shifted Dorian’s gender to a woman. This version falls into a so bad it’s good category with Anthony Perkins in a lead role, who as he ages under makeup starts to look like Andy Warhol.  And while it’s great to see a new show, a strong cast can’t compensate for such an earnest production with underpowered songs. There’s no sense of fun, and some curious staging and costume choices  -mismatched dresses, crocodile boots and furry suits - serve as a distraction. It’s currently playing at th

Keep it gay: Soho Cinders @CharingCrossThr

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An alternative to Christmas panto season has landed at Charing Cross Theatre in the form of Soho Cinders. A Cinderella goes gay story with music by Stiles and Drewe. But something's a little queer with this adaptation. Catchy songs, humour and a great (although not very diverse) cast don't overcome what feels like a dated, awkward story. In this story set against the backdrop of the London Mayoral election, our Soho Cinders, Robbie (Luke Bayer) is working at a laundromat with his pal Velcro (Millie O'Connell). Somehow he manages to hook up at the notorious hook-up point Trafalgar Square (who knew?) with Mayoral candidate and ex-swimmer James Prince (Lewis Asquith). But the problem is the candidate already has a fiancé (Tori Hargreaves). And she's nice. It's hard to get too enthused about a relationship forged in the shadows of Nelson's column while his other half is waiting at home with a bottle of wine. To give the show it's panto feel, there a