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Showing posts from July, 2021

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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Beauty fades: Dorian A Rock Musical

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Usually, rock stars either die young or fade into obscurity as they become old and weathered. If they’re lucky, they will get tour with their greatest hits or get on some celebrity television show. But when it's a rock star by the name of Dorian, you know that he's going to be a baby-faced singer with a few skeletons in the attic. Or at least a portrait that's a bit suspect. Oscar Wilde’s The Picture of Dorian Gray, serves as the inspiration for this story of an eternally young rock star who wants to discover love. The electro-pop soundtrack makes it more like a nineteen-nineties pop musical than a rock musical. But it's melodramatic enough to hold interest as this Dorian takes off with both song and his heart. Although I was hoping that fate would befall Dorian like other nineties stars once he destroys the painting. Such as morphing into resembling a cab driver and  shouting about conspiracy theories . In this case, however it’s a faithful rendition of Wilde’s story. 

No small parts: Friend (The One With Gunther) @onewithgunther

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Suppose you have neither the time nor the intellect to sit through 236 episodes of Friends on Netflix. In that case, thankfully, writer and performer Brendan Murphy distils the ten seasons into his show, Friend (The One With Gunther), as told by Gunther, that guy who manages the coffee shop. The coffee shop is where much of the action of the show takes place. It's a strange location that looks like the show's creators couldn't work out whether it should be a bar, a diner or somebody's living room. But as acknowledged here, Gunther was there (albeit more prominently from season two), and so he is the best man to give his view on the goings on. And since the Friends characters always talked so loudly in the coffee shop, he could hear everything.It's part recap and part piss-take. The latter suits if you missed all ten series of the primarily white, often homophobic yet still curiously popular series.  Murphy takes us back to a different time and place. The nineties. B

Fear of missing out: A Super Happy Story (About Feeling Super Sad) @SilentUproarPro

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When you chose to see a show called A Super Happy Story (About Feeling Super Sad) , you know that something serious will get an upbeat musical cabaret treatment. But the cast's enthusiasm makes this show about discovering that it is ok not to be ok both compelling and a delight. It focuses on Sally as she comes to terms with understanding what it means to be depressed. From her first feelings of not being there in the moment. To the denials that anything is wrong. To the false dawns that she's made a breakthrough and managing it. And while a show about depression and suicide may not be for everyone, every stage is covered with a healthy dose of curiosity and perspective. And after nearly 18 months of lockdowns, the struggles of young people to find their way and carve out a future for themselves seems even more relevant.  Written by Jon Brittain, it's more of a show than a play. With props on stage and a cast of three that play a range of roles in Sally's life. As the s