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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Life lessons even for vegetarians: The Winners Curse @parktheatre

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A play about the process of peace negotiations and negotiation theory might sound like a dreary way to spend the evening unless you’re already a student studying this stuff. But Daniel Taub’s play, The Winner’s Curse, has enough bad jokes and entertaining performances to give you some sense of the goings on, haggling and bargaining on the international stage. Whether it’s a play or an attempt at edutainment is another matter. It’s currently playing at Park Theatre . The title comes from the scenario where the winner ends up paying more than what the item they have won is worth. And in negotiations winning isn’t the most optimal outcome. And so, during the evening, we are given a demonstration of this against a fictional Eastern European peace negotiation process.  Clive Anderson, the former negotiator for a fictional country, is accepting an award and looking back on his career. Then we go back to his early days in understanding the process. Part dramatised with his younger self played