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Showing posts with the label Dean John-Wilson

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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Depression and abuse: The Distance You Have Come @Cockpittheatre

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Scott Alan’s song cycle The Distance You Have Come gets a star quality injection with it’s lineup of West End performers. If only the material could match them. Entering the theatre you’re warned you’re about to see a show with “adult themes pertaining to depression and abuse”. But that’s only part of the problem. Still, it’s great to see some of the best performers on the West End up close in the intimate surrounds of the Cockpit Theatre . There’s Andy Coxon and Adrian Hansel play two lovers who after a brief relationship get a dog gayby. There’s Emma Hatton and Dean John-Wilson who seem to have a Tom Cruise, Nicole Kidman Eyes Wide Shut-style of relationship. And there’s Jodie Jacobs and Alexia Khadime who are best friends until a close encounter of the same sex kind complicates everything. Cue the depression, abuse and extended self reflection. And a curious scene involving hooded people wearing masks, stripping Dean John-Wilson down to his boxers. It can be challenging to have a s
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Great balls of fire: Miss Atomic Bomb @St_JamesTheatre

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A starry cast and some wonderful production values make Miss Atomic Bomb a bit of a treat. It's currently playing for a limited run at the St James Theatre . There is comedy... A bit of drama... Then more comedy and the occasional dropping of a bomb in this piece that focuses on the nuclear tests in Nevada. Oh and there is a beauty pageant to crown Miss Atomic Bomb in an attempt to make a doggy hotel a bit more classy. Much of the source material is based on actual events. There were above ground nuclear tests that were a tourist attraction for Vegas . But what gives this piece its appeal is its star casting and ensemble who are working hard to show us a good time.
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It’s not where you start: Songs for A New World @St_JamesTheatre

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Twenty years after it first premiered Off-Broadway, the song-cycle / revue Songs For A New World at the St James Theatre serves as a useful introduction to composer-lyricist Jason Robert Brown’s early work. It’s initially exciting to watch four accomplished performers (mostly) handle his vocally demanding work. But the effect of 90 minutes of his music straight through makes you feel as if you are trapped in a world that is a bit repetitive. It starts out spectacularly with the opening number “The New World”, a song about starting over. And then there is a song about endings, another about loss, and another about new beginnings. By the half way point, the limitations of the music become apparent.
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