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Showing posts with the label Riverside Studios

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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Office romance: Venus and Adonis @RiversideLondon

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As you enter the Riverside Studios , where Christopher Hunter is performing Shakespeare's epic poem, Venus and Adonis, Hunter is already there—sitting on a bench with his attaché case, wearing a suit and writing furiously. There are papers crumpled and tossed about. It's as if he is writing the piece from a 1990s office. All that's missing is the scream of the office fax (we heard phones ringing even though that wasn't part of the performance).  Written by Shakespeare during the outbreak of the plague in 1592, it's considered to be Shakespeare's first work. It's an evocative piece about the Goddess of love and her attempts to attract the handsome and probably fit Adonis, who would prefer to go hunting.  As performed by Hunter, the age-old tale of unrequited love takes surprising twists and turns in this epic poem. Starting as the piece's writer, he becomes the characters and immerses himself in the words. Consonants fly out at you, and the suffering, the

Sing from the heart: Liza Pulman - The Heart of It @riversidelondon

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Liza Pulman is on this week at the Riverside Studios . It’s in keeping with the series of shows that we should have seen two years ago or things that we should have been doing two years ago (if it weren’t for that pesky global pandemic). Her show is called The Heart of It , and there’s a lot of heart in it. Watching Pulman sing a series of classic and perhaps overlooked songs of the past feels like we’re all picking up where we left off. The songs she sings are part of a timeless series of classic standards by the likes of Irving Berlin and Fats Waller. Songs about love, loss and revelation all fit into the category of easy listening, and with her sublime vocals, they are easy on the ear. And they may not be songs for the young, but they are songs for the young at heart. Liza Pulman comes from a show business family. Her father was screenwriter Jack Pulman, and her mother was an actress. Growing up, she sang in a close harmony duo with her sister. She would then train as an opera singe

Support your local theatre @arcolatheatre @parktheatre @riversidelondon

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As the lockdown continues and theatres look to surviving for the next three months, here are a few other theatres to support: Arcola Theatre Arcola Theatre - The Arcola Theatre in Dalston has been featured on Newsnight about the economic impact of Covid19 on the creative industries. It’s seeking donations safeguard its future, and you can donate directly on its website. Park Theatre’s Park Life Fund The Park Theatre has launched the Park Life Fund. The theatre has depleted its reserves and production fund. It estimates it needs to raise a further £100,000 to fund a three-month run-up to being able to reopen. Riverside Studios Quiz Nights The Riverside Studios at Hammersmith, which was just reopened following a redevelopment, will be hosting a series of quiz nights with celebrity guests and isolation-friendly prizes. The proceeds will go to ensuring the centre will be able to resume operations in the future. The first of these is on 29 April with Gyles Brandreth. Stephen

Spring Awakenings: Love Loss and Chianti @Riverside London

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Death and desertion are on the menu in Love Loss and Chianti. A dramatisation of the poems A Scattering and The Song of Lunch by Christopher Reid. Grief and fantasy are explored at first for drama and then for comedy. It’s not always successful in the translation from poetry to stage. But watchable for the performances and staging at the Riverside Studios . The first half, A Scattering, was Reid’s response to the death of his wife, Lucinda. Told in four parts, with the first part written while she was still alive, the poems won the Cost Book Prize in 2010. But on stage, it feels cold and unengaging. Perhaps there are too many distractions with events as the stages of dying, death and loss are explored. It might have been more engrossing if he just sat on a chair and told to the audience. Fortunately, things pick up in the Song of Lunch in the second half, which is centred around a man’s attempt to connect with an old flame over lunch. Memories conspire to build a fantasy tha

Nursing crisis: Persona @Riversidelondon

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There’s something reassuringly contemplative about Ingmar Bergman’s Persona. No matter what humdrum life you may be leading, at least you haven’t gone mute from too much acting. It’s not the only message to take away from this stage adaptation. Even when things seem lost in translation from screen to stage, the blurring of lines of the roles people play in life still resonates. It’s currently playing at the newly reopened Riverside Studios at Hammersmith. The piece centres around a famous stage actress Elizabet (Nobuhle Mngcwengi), who has stopped speaking and appears to have had some form of breakdown. As part of her recuperation, she travels with a nurse (Alice Krige) to a remote summer beach house. Alone with the waves and silence, they both are left to recover. Krige and Mngcwengi create an intimate and engaging portrayal of this ambiguous relationship between the actress and the nurse. Are the conversations real or imagined? Who is the patient and who is providing the trea