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Travelin' Through: Broken Toys @CervantesTheatr

Things are a bit different at the Cervantes Theatre when you see Broken Toys. You enter through the upstairs dressing rooms and go down to the theatre. It is a circuitous route, much like the story of Marion. You end up in the same place but have taken a different journey. And like what the old prostitute said. It's not the work but the stairs. And there before you is the theatre, but not entirely as I recall it. It feels like an intimate cabaret venue with tables and a shiny stage. And there we are introduced to Marion. Marion grew up in a small town during the Franco regime. A place where looking a bit different could make you the subject of gossip and a threat to your life. And despite being assigned male at birth and the attempts of family and father figures, she was an outsider in her town.  And so Marion sets off on a journey to the city. And in the shadows, she finds a place to hide. But with guidance from drag performer Dorian Delacroix begins to find her voice. Her journe

Sing from the heart: Liza Pulman - The Heart of It @riversidelondon

Liza Pulman is on this week at the Riverside Studios. It’s in keeping with the series of shows that we should have seen two years ago or things that we should have been doing two years ago (if it weren’t for that pesky global pandemic). Her show is called The Heart of It, and there’s a lot of heart in it.

Watching Pulman sing a series of classic and perhaps overlooked songs of the past feels like we’re all picking up where we left off. The songs she sings are part of a timeless series of classic standards by the likes of Irving Berlin and Fats Waller. Songs about love, loss and revelation all fit into the category of easy listening, and with her sublime vocals, they are easy on the ear. And they may not be songs for the young, but they are songs for the young at heart.

Liza Pulman comes from a show business family. Her father was screenwriter Jack Pulman, and her mother was an actress. Growing up, she sang in a close harmony duo with her sister. She would then train as an opera singer at Guildhall School of Music and Drama. But as she admits during the show, it’s musical theatre and the writers who make up the the great American songbook that are her real passion. And that includes Streisand and Neil Diamond.

It’s hard not to like a show that opens with Neil Diamond. Even if his name evokes the 1970s and curious choices of open shirts on album covers, his songs have a timeless quality to them with their ambiguous lyrics that can mean all things to all people. She also throws in many of the more thoughtful and reflective songs sung by Barbra Streisand throughout her career. And during some of the quieter moments, if you close your eyes listening to Pulman, you could be forgiven for thinking you’re listening to Barbra Streisand. Although the thought of Streisand in Hammersmith seems like a quaint idea, Pulman’s vocals, particularly at her lower register, seem so similar. But then her operatic training comes through, which has given her a voice of clarity and longevity. And this makes her sound unique and special. 

Accompanying her is a six-piece band in the smaller studio space at Riverside Studios was a feat of audio engineering to keep everything in balance. It worked well, but I feel the show will work better in larger venues. Or at least venues with cabaret seating that would make it feel more of an intimate event. 

There’s an album to go with the show, which captures some of the moods of the live show. But the real thing is worth catching if it comes your way. With musical direction by Joseph Atkins, Liza Pulman, The Heart of It is at Hammersmith Studios until 30 April. It will be back at Wiltons Music Hall in July. Check her website for more details. 


Photos by Dom White 

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