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Showing posts from July, 2023

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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p
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Dark Neighbourhoods: Union @Arcolatheatre

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A journey through the dystopia known as modern-day London - or at least the stops of gentrification along the Grand Union canal - is at the heart of Union—a provocative look at change, urban renewal and sanitisation. Written by Max Wilkinson, it's currently playing at the Arcola Theatre .  The premise is that successful property developer Saskia (Dominique Tipper) is about to sign the deal of her career. She is at the peak of her career and the height of her physical appearance. She asks the audience to check out her stomach as you could "eat an egg off that". But tonight, something isn't quite right. She has decided to go for a run along the Union Canal. She is ignoring calls from her boss and her partner. Having flashbacks and meeting characters along the canal forces her to confront some hard truths.  It's a fast-paced show with a breathless performance by Tipper in the lead role. She conveys the madness, the enthusiasm and the contradictions of living and work
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Breaking bread: Eating Myself @BrxHouseTheatre

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Food as a starter for conversation, making a new family, and finding a place is at the heart of Eating Myself, Pepa Duarte’s story of exploring what it is to be a woman from Peru, living in London, living with unrealistic body images. It’s having a short run at the Brixton House as part of the Housemates season, where artists take over the house throughout July. In this short piece, which has previously been online, Pepa explains how she cooks on a stovetop a Peruvian dish with beans and potatoes and a lot of added extras that, when growing up, she was never supposed to eat. It reminds her of her grandmother and brings her back to her roots. As the show progresses, the dish's aromas waft through the audience bringing to life the words in a sensory experience. And one that might make you a little hungry.  But it also is a story about diets and calorie counting. Pepa directly asks the audience if they think she is fat. It’s a direct question to the audience that sets the scene about
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