Turning a blind eye and other emotionless states: Cans @theatre503
Taking the fallout of Operation Yewtree and turning it into a comedy drama seems like a challenging task, but Cans manages to inject some humanity into the subject matter, even if the results are a bit predictable (and a tad overlong). Stuart Slade's debut play is a two-hander set in the garage of Jen's family home with her uncle Len. Jen's dad was a media personality, charity fundraiser and national treasure. But a year ago he was arrested for sexual offences against young men and women, and now he is dead. Len is trying to help her get over it and the two of them seek refuge in the garage of her home, drowning mice, sharing secrets and talking crap.