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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the
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Wicked men with beards: The Woman In White @charingcrossthr

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What makes The Woman In White interesting is the cast assembled for this tale about imprisonment, nasty men and poor artists. Even if this story makes no sense, it's a chance to be amazed by performers who hopefully will get to go onto bigger (and better) things. It’s having its first revival at Charing Cross Theatre . Pared back from its original production which premiered in the West End over ten years ago, here there are less effects and a bigger focus on the story. But the story doesn’t make much sense. Two young bored women Laura (Anna O'Byrne) and Marian (Carolyn Maitland) trapped in the country enlist the services of an artist, Walter (Ashley Stillburn), to help them draw. The artist sees a ghostly woman dressed in white on the way to their house. Walter falls in love with Laura. But Laura’s engaged to marry Sir Percival Glyde (Chris Peluso) as it was her father’s dying wish. Her father mustn't have liked Laura much as you just know by Sir Percival's facia
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It becomes her: Death Takes A Holiday @charingcrossthr

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A terrific story and some fine singing from its sexy leads makes this encounter with death enjoyable. But you get the feeling that that this near death experience could be more enjoyable if the music was not so repetitive and loud. It's currently playing at Charing Cross Theatre .
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