Paul in London

The Grotto is an alternative Christmas show for those who feel there isn’t enough blood, gore, and science fiction in traditional Christmas outings. Or you can’t stomach the usual good cheer this time of year. It plays at the Drayton Arms Theatre to satiate those who want to wish less good tidings to people at this time of year. It opens at a Santas Grotto in some shopping centre.  Layla and Pete are in some Christmas purgatory—dressed as an elf and Santa, Welcoming in children and taking a photo of them on Santa’s lap. They are on a repeat loop all day to the tune of I wish it could be Christmas every day. The music speeds up as the day continues in a frenzy of desperate Christmas cheer. It’s as if the music starts sounding like, “I wish shit could be Christmas”. After finishing up for the day in this Christmassy purgatory, Leyla and Pete are visited by a ghostly presence as they have lost their Christmas spirit. Christmas is an endurance event for them of annoying family members...

Film: Belle Du Jour Saturday night I caught the Film Belle Du Jour (not to be confused with the blog) with A which is showing as part of a Catherine Deneuve retrospective. During the movie I was impressed with the number of cableknits on display, but it was an interesting tale about a bored French housewife who despite being married to Jean Sorel decides to dabble in prostitution. At this point I was ready to slap Deneuve's character. She could have all the Yves Saint-Laurent dresses and cableknits in the world, but what she really wanted was big fat Asian men and gangsters with metal teeth. What is wrong with the woman??? Still it was a fascinating movie that holds up well nearly forty years after it was made. After the movie A asked me what did I think the moral of the story was. I suggested that the moral was that one should not take up prostitution in the afternoon. It would be probably safer to do it in the morning when you get the milkmen coming off shift rather than creep...

After seeing The Massive Tragedy of Madame Bovary, which is currently playing at the Jermyn Street Theatre, I found myself walking past the shops of Piccadilly wondering what Madame Bovary would make all of this apparent luxury. She was a woman ahead of her time, running up debts to live a life of luxury while having both a sensible husband and a lover. She would fit in in a nation where household debts have risen by a third . Even if she was living in a small provincial town.  So the premise of this piece by John Nicholson is whether it could be a comedy. Particularly given the time of the year when Christmas is approaching, and everyone is just after a feel-good night out at the theatre. The answer is, perhaps. The comedy is mostly sight gags and props, while the story of indebtedness and boredom in the provinces no doubt will enthral London audiences by reaffirming their own life choices.  But while we get a sense of the basic plot behind Madame Bovary,  we don’t under...

Ah, to be young, carefree and single. When the receptionist at the clinic testing for gonorrhoea knows you by sight, or you haven't yet found the right (Jewish) man to settle down and enjoy smoked salmon and bagels. You know that there is trouble afoot. Park Theatre has programmed a series of short plays from emerging artists called Make Mine A Double this month. Four shows are running for two weeks apiece. And the first two are hilarious.  The first piece is called Anything with A Pulse . It's a two-hander about twenty-somethings falling in and out of love in London. Describing all the action in the third person can sometimes be a bit jarring. The reviewer thought. The reviewer also struggled to keep up with the goings on in the drama. But that was probably more to do with his age than the writing. Still, things move fast in this boy meets girl on the dance floor and then returns to her place for some ambiguously unsatisfying sex before they go their separate ways, wondering ...

From Here To Eternity lands at the Charing Cross Theatre with all the energy and enthusiasm of a surprise attack on the layabout and jaded audiences of the West End. Afterall, audiences at the West End seem a bit soft these days. This revival focuses on the leading characters in the story, making the two weeks leading up to the bombing of Pearl Harbour a musical theatre event that doesn’t let up… much. Adapted from the novel by James Jones, the musical has lyrics by Tim Rice, music by Stuart Brayson, and a book by Donald Rice and Bill Oakes. It is a pared-back version of the show that was on in the West End nearly ten years ago. But this also helps distil the drama down to the bare essentials. And the smaller space of the Charing Cross Theatre gives the piece intensity, focus and a sense or urgency.  Centred around an army unit stationed in Hawaii two weeks before the bombing of Pearl Harbour. There's talk of war but no action except for the fighting among the men. There's so...

Coral can weather all sorts of undersea turbulence. Small and adaptable, it survives in its watery world. And so 100 years from when it last performed in the UK, we have The Coral. A piece about the forces of capitalism in a dystopian dog-eat-dog world. It's currently playing at the Finborough Theatre. Whether it has survived the forces of change over the last 100 years might be a topic of post-theatre debate on your way home. There are no names in the piece. There are just people with characteristics such as the secretary, the daughters and the millionaire. The focus of the piece is on the millionaire. A play from 100 years ago will not keep up with inflation, but he is wealthy and powerful in this world. It is also a dangerous world. And so he also uses his secretary, his doppelgänger, so he can be everywhere while also sitting back on his yacht with his daughters.  But besides the troubles at his factories and pamphlets calling for change, he has other problems. When his daughte...

As part of its Temptation Season, Jermyn Street Theatre serves up a civilised and biting farce with Love All. Full of incisive observations about the roles and expectations for women at the time while managing to be a fun and silly romp spanning Venice and London, it is a both a guilty pleasure and a lost gem currently playing at the Jermyn Street Theatre .  Written by Dorothy L Sayers, better known for her detective novels, there is an obsessive attention to detail in the piece. You could miss something crucial to the plot or a laugh later on if you're not paying attention.  The premise is that Lydia Hillington (Emily Barber), a famous London stage actress, has given up the stage to elope with a famous novelist Godfrey Daybrook (Alan Cox). But after eighteen months of living in a hotel on the Grand Canal, all is not well. A chance meeting with a producer inspires her to escape to London to audition for a role an exciting new playwright is casting (Leah Whitaker). Meanwhile, D...

Jack Dean & Company landed at the Southbank Centre's Purcell Room for one day with their gig-theatre retelling of the Greek myth Hero & Leander. Songs that mix folk, country, electronica and the odd sea shanty tell the story of the tragedy of Hero and Leander.  In this version of the tale, Hero and Leander are from two towns but meet at a dance and continue to see each other. But their towns are separated by a narrow strait, and when the ships stop sailing between the towns due to a conflict, Leander swims across the strait to meet Hero, guided by the light of the lighthouse where she lives. And being a tragedy, this doesn't end well.   The staging is simple, with just the musicians on stage. Jack Dean and Siân Keen are engaging as the ill-fated lovers and various other characters in the story. It's incredibly inventive and evocative with its fusion of musical styles and sensibilities.  The storytelling is brisk and sometimes feels like it could benefit from expa...

Summer means that attention for all things theatrical (and fringey) usually drifts north to Edinburgh. But over at the Union Theatre , a Chekhov double bill by new production company Art Theatre is there to remind us that London can still surprise us with exciting fringe theatre any time of the year.  There are two short comedies by Anton Chekhov and directed by Dmitrij Turchaninov, an alumnus of Studio Chekhov: Moscow Art Theatre School – which first performed  Chekhov’s plays. And with a simple staging and engaging performances, the works come to life.  First up is the Lady With The Dog, which is about a cynical married man who, while holidaying in Yalta, falls in love with another married woman who happens to go everywhere with a little dog. Based on a short story of Chekhov’s, it’s more storytelling than a play, but with its simple projections and props, you feel like you are on holiday at the turn of the last century.  After the interval is The Bear, a story abo...

Update: since posting, Above the Stag has announced its permanent closure Above the Stag Theatre is going all retro with a revival of Jimmie Chinn's Straight and Narrow. Before the show begins, clips from television programmes and commercials are playing from the period to get you in the mood. In case you need to know (or be reminded) about what living in the eighties was like. And while time may not have been too kind to this piece with its views on women and foreigners, this production manages to create a vivid portrait of family dynamics in Manchester. Set in the 1980s in Manchester, Bob (Lewis Allcock) and Jeff (Todd Von Joel) are long-term boyfriends who also have a successful business installing kitchens. But spending years together doing the same thing every day, they seem stuck in a rut. A trip to Malta is an opportunity to do something differently. But the trip didn't go as either of them was expecting. Things get a bit explosive and emotional on the return. And Bob...

A musical about yeast conjures up all sorts of things about what it could be. Is it about a nation's obsession with home baking during a lockdown? Or is it the latest infection outbreak? No, it's neither of these. Instead, it is a rock musical about the unicellular organisms living in the primordial soup. Purporting to be the oldest story of all time (as it’s probably hard to go back further than single-cell organisms), It's part rock musical, part history lesson, part Greek chorus and part bonkers. And it's currently playing at the Southwark Playhouse . Narrated by Jan, the unnamed, it tells the tale of a series of salt-eating yeasts (all called Jan) at the bottom of the primordial soup/sea. They are in stasis, following careful strictures, so they don't reproduce or change. They sing a catchy tune called stasis is the membrane and live a balanced life with the soup around them.  But not all yeasts are satisfied with stasis. And when some yeasts rise to the top to ...

Is it a fashion show? Is it a cabaret? Is it a celebration of Jean Paul Gaultier’s work? Does it matter? Well, it’s a little bit of all of the above. Music, fashion, video projections, and dance collide in this slick and sexy profile of the world of Jean Paul Gaultier over the past five decades. With over 400 costumes, acrobats, singers, dancers, projections and a throbbing soundtrack, it’s a world where beauty is everywhere. And excess, raunchiness and a little bit of breast and buttock are de rigueur.  It even smelled like him. His fragrances wafted throughout the Roundhouse on the gala press night earlier this week, with the various reviewers, influencers and fashionistas grabbing the free samples in the toilets and spritzing them about so that you were living and breathing Jean Paul Gaultier.  First presented at the Folies Bergère in Paris in 2019, it has made it to London with a few updates, such as a catwalk. Lights, music and digital projections overwhelm the senses tha...

There's a moment in the Lesson when the Professor is giving his eager pupil tutoring in mathematics. She has excelled with additions to this point and can multiply infinitely. But the whole concept of subtraction baffles her. The Professor's disappointment is palpable, and his anger grows every time she says seven when trying to subtract three from four. Thus begins a descent into absurdity and madness in this briskly paced piece that appears to be about nothing and everything. It’s currently playing at the Southwark Playhouse . The Lesson is an early play by playwright Eugene Ionesco and is an excellent introduction to the theatre of the absurd. The premise is that a relatively mild-mannered professor provides an enthusiastic young lady tutoring so she can get her doctorates in everything. Well, if knowledge is power, why not learn everything? It made perfect sense to me. She is bursting with excitement to learn at first. But each time she struggles to comprehend and get it ri...

There appears to be a fascination with the bathroom habits of the Royal Family. In Melbourne, Australia, you can visit the royal bathroom at the Arts Centre in Victoria that the Princess of Wales refused to use . Or there is the toilet at the V&A in South Kensington built for Queen Victoria. Perhaps it is the great leveller. After all, everyone has to do it… And with that in mind, we are presented with The Throne by John Goldsmith, currently playing at Charing Cross Theatre .  The premise is that the Queen is locked in a bathroom with a republican. Two hours watching the Queen in a lavatory might not be everyone’s idea of a night out at the theatre. But it sounds like it could be funny. But this is a gentle comedy that has the purpose to put a republican and the monarch on a debate over British history.  The prominence of the bathroom is slightly jarring when you enter the Charing Cross Theatre, and audiences should be prepared to be looking at a urinal for the whole even...

Joel Tan's play, Of No Particular Order , currently playing at Theatre 503, is an unusual piece of theatre. For 90 minutes and a series of scenes over 300 years, it attempts to piece together the order (or disorder) of an unmentioned society. Individual scenes do not add too much. But together, they explore the many facets of what losing freedom, or not having it in the first place, means for everyday people.  It isn't good news for the people. Pointless orders from stupid leaders showing power have deadly consequences.  Tan's approach may not be for all tastes. The audience must do the work to put it together and make sense of it. However, it is a rewarding effort to make sense of what can sometimes seem like a series of random events and interactions.  A cast of four - Daniel York Loh, Pandora Colin, Jules Chan and Pía Laborde-Noguez - resourcefully play the various characters that exist over the 300-year timeframe. Characters come together either to help or to screw ea...

Liza Pulman is on this week at the Riverside Studios . It’s in keeping with the series of shows that we should have seen two years ago or things that we should have been doing two years ago (if it weren’t for that pesky global pandemic). Her show is called The Heart of It , and there’s a lot of heart in it. Watching Pulman sing a series of classic and perhaps overlooked songs of the past feels like we’re all picking up where we left off. The songs she sings are part of a timeless series of classic standards by the likes of Irving Berlin and Fats Waller. Songs about love, loss and revelation all fit into the category of easy listening, and with her sublime vocals, they are easy on the ear. And they may not be songs for the young, but they are songs for the young at heart. Liza Pulman comes from a show business family. Her father was screenwriter Jack Pulman, and her mother was an actress. Growing up, she sang in a close harmony duo with her sister. She would then train as an opera singe...

The Paradis Files takes you back to the salons of 18 century Vienna. Albeit briefly There, Maria Theresia von Paradis is a star composer and pianist. World-famous in Europe, a pupil of the composer Salieri and possible lover of Mozart, if one believes the gossip. And there was one other thing about her. She lost her eyesight at a young age.  This new chamber opera by Errollyn Wallen uses opera to convey the story of Paradis, both her triumphs and humiliations. She was an object of desire and experimentation. This short piece sets out clearly that she had a colourful life. Being the daughter of Joseph Anton von Paradis, Imperial Secretary of Commerce and Court Councillor to Empress Maria Theresa, undoubtedly helped. But as the family sought to remedy her blindness, she was subject to various “cures” by quack doctors.   Wallen doesn't confine the musical style to any particular period. There are elements of classical music mixed with jazz and percussion. And as a chamber opera, ...

I get home from seeing SAD at the Omnibus Theatre on the weekend, and a friend is over. "What did you see?" She asked. "Well, I saw a play about a woman who locked herself away in an attic after accidentally killing her mother over Christmas with an overcooked turkey. Meanwhile, the neighbour comes through the skylight for unsatisfying booty calls, and her husband brings up ham sandwiches." I guess sometimes you really can make things up. Victoria Willing's new work weaves together four characters searching for life and meaning as they realise life has passed them by so far despite a series of challenging events.  It's challenging to work out is a black comedy or just a very depressing story about life in London in January. That's the time of the year when the days are short, the parties are over, and the only thing to keep people motivated is some pointless New Years' resolution. But if you have a warped sense of humour, you'll probably enjoy th...

What’s hard is simple. What’s natural comes hard, so the lyrics in the title song, Anyone Can Whistle. But this production,  currently playing at the Southwark Playhouse , takes one of the more challenging Sondheim musicals and makes it seem effortless and straightforward to enjoy. And they deliver it with endless enthusiasm and panache. It’s a bonkers story about a town that comes up with a miracle to attract tourists and improve its prospects. Up to this point, the only thing going for it was its sanitarium for the socially pressured (otherwise known as the Cookie Jar). These people, known as the cookies, are non-conformists. Yet they seem to be happier than anyone else in the town. But as the show progresses, its none too subtle digs at religion, authority, politics, and conformism can make your head spin about what institution it is taking on.  The best thing is to let much of the absurdist story fly over your head. After all, even Sondheim critiqued it for being too cleve...