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The agony and the misogyny: Banging Denmark @finborough

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Banging Denmark, the comic play by Van Badham, answers the question, what lengths does a misogynistic pickup artist go to date with a frosty Danish librarian? It may be an uneasy farce given the subject matter, but it is made more palatable by the cast assembled to convince you of it. It's currently having its European premiere at the Finborough Theatre .  It opens with Guy DeWitt (Tom Kay) at one end of the stage. His real name is Jake, and he's a part-time podcaster whose expertise is misogyny and playing the role of the pickup artist. That is, someone who attempts to coax women into having sex with a mix of flattery or manipulation. His podcast attracts a variety of involuntarily celibate men (or incels), so call in asking for advice. And while he gives the impression of living the high life, he is in a grimy flat strewn with empty pizza boxes.  At the other end of the stage is feminist academic Ishtar (Rebecca Blackstone). She lives out of the photocopy room, losing all her

Crime and pedagogy: The Lesson @Swkplay


There's a moment in the Lesson when the Professor is giving his eager pupil tutoring in mathematics. She has excelled with additions to this point and can multiply infinitely. But the whole concept of subtraction baffles her. The Professor's disappointment is palpable, and his anger grows every time she says seven when trying to subtract three from four. Thus begins a descent into absurdity and madness in this briskly paced piece that appears to be about nothing and everything. It’s currently playing at the Southwark Playhouse.

The Lesson is an early play by playwright Eugene Ionesco and is an excellent introduction to the theatre of the absurd. The premise is that a relatively mild-mannered professor provides an enthusiastic young lady tutoring so she can get her doctorates in everything. Well, if knowledge is power, why not learn everything? It made perfect sense to me. She is bursting with excitement to learn at first. But each time she struggles to comprehend and get it right, things become darker. 

There are long discussions about seemingly necessary mathematical calculations or how to talk about roses in multiple languages that equally boggle the mind and amuse. But among the absurdity is a wry commentary on power and brute force. 


The cast gives this less-than-straight play a sensible dose of absurdity. Jerome Ngonadi portrays the Professor as a man-child without a teaching plan. Hazel Caulfield gives the pupil a seductively energetic streak even as she struggles with basic subtractions. And Julie Stark, as Mrs Danvers-like housekeeper, is the play's lack of conscience. 

In the beginning, the production looks like the action takes place in a simple bleak flat. But soon, the space becomes dominated by an array of chalkboards, captions and projections. The projections are creative captions for deaf and hard-of-hearing audience members. But they become integral to understanding the piece for everyone. It feels as if you don't just see the performance; you become fully immersed in the absurdity of the text. 

Directed by Max Lewendel, The Lesson continues at Southwark Playhouse until 23 July. A tour to follow and check the production’s website for further details. 

⭐️⭐️⭐️⭐️


Photos by Ikin Yum

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