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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

For the birds: Outlying Islands @KingsHeadThtr

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Life on Outlying Islands at the Kings Head Theatre is for the birds. Or  what happens on a remote island should stay on the island. David Greig's play is having its first revival. Buffeted by storms, death and primal forces even four weeks can seem like an eternity. But time flies in this expertly acted and imaginatively realised production. Set ahead of the outbreak of the Second World War, two young men travel to this remote Scottish island to conduct a survey of the birds for the government. But even in the summer months the harsh conditions, isolation and boredom make them turn inward. One of them, John (Jack McMillan), is a proper man. And a Scotsman. The other, Robert (Tom Machell) is a crazy idealist from London. Together they develop a special bond. There's another man, Kirk (Ken Drury) who has leased the land to the government and giving them a place to stay in a deserted chapel on the island. Puritanical and in search of profit he see's their mission a

When in Rome: For Reasons That Remain Unclear @KingsHeadThtr

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A young screenwriter and an older priest walk into a hotel room in Rome. You just know it isn’t going to end well. But part of the suspense in For Reasons That Remain Unclear is you are never certain where things are heading. Mart Crowley’s sexually charged piece keeps you guessing. It’s having its UK premiere at The Kings Head Theatre as part of its Queer Season of theatre. Patrick (Simon Haines) is working for Warner Brothers in Rome living out of a fabulous hotel. He meets Conrad (Corey Petersen) on the street and after a long lunch they head back to Patrick’s hotel. What then ensues is a series of mind games as faith, sexuality and secrets are explored. Conversations about the trivial meander into the personal. Then it builds into something darker. It’s probably every gay priest’s fantasy to get picked up off the street by someone from Hollywood. But if you get past that it’s a rewarding piece, particularly given the performances.  Haines and Petersen are terrific. They hold your

Giving a toss: East @KingsHeadThtr

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Dirty, smutty and just a little bit Shakespearean. East takes you back to the rough and tumble of the good ol’ days of London. A time when fascists roamed the streets, baked beans on toast was considered cuisine and street brawls were just for laughs. Some time between the 1950s and the 1970s in East End London. It’s playing at the Kings Head Theatre . But in the forty or so years since it premiered something seems amiss with this piece. It feels desperate to shock rather than the genuine article. Every c-bomb and mother-son jerk off seemed telegraphed in advance rather than something new, fresh and gross. Perhaps nothing surprises us anymore in the city where the horrors are real. Modern day enslavement, sexual harassment, acid attacks and the Grenfell disaster. A punch up in a bar and a wank in the cinema are cute by comparison. Still it’s energy is fascinating. If a tad exhausting to watch. A series of scenes and monologues explode in front of you before disappearing. Leaving you to