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A night at the opera: That Bastard Puccini! (Park Theatre)

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It’s hard to imagine that it’s only been 130 years since Puccini first premiered La Boheme. Nowadays, it’s a revered classic, and guaranteed to be on any opera company's annual programme if it needs to stay afloat. It’s a crowd pleaser with its melodrama of poor, impoverished artists loving, starving and dying in Paris. But Puccini’s La Boheme had a less auspicious beginning, with one of his contemporaries accusing him of stealing his idea and being poorly received on its first outing. And that’s at the heart of That Bastard Puccini! Currently playing at Park Theatre , writer James Inverne uses the friendship and rivalry between the two composers, Puccini and Ruggero Leoncavallo, to weave a comic tale of creative frustration with an awful lot of facts and tidbits about the opera scene at the time. It’s part comedy, part music appreciation.  It opens with Leoncavallo (Alasdair Buchan) at home with his wife Berthe (Lisa-Anne Wood), cursing about Puccini’s latest work, which is drawn ...

Petty theft and other austerity measures: Spine @SohoTheatre

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Spine, which is playing at the Soho Theatre until 2 November is a fascinating piece that looks into  the importance of knowledge in the age of apathy. Written by Clara Brennan , it takes you on an unexpected journey. What starts out as a story of (potentially predictable) rebellious and troubled teenager builds to make some wry observations about generational divides, the loss of political leadership in modern Britain and the apathy of people, particularly in London, over things that were once valued. 

Scenes from the streets of London...

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It is a bit hard to work out why they have this sign outside of the Aberdeen Angus Steak House in Soho. Perhaps they now are selling tube steak. Then again, nothing like a bit of saucy humour to take your mind off what they pass for the menu... via Pixelpipe Posted via web from paulinlondon's posterous

Theatre: 365

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I wasn't quite sure what to expect from seeing 365 . It played at the Edinburgh Festival to some very positive reviews, but a two hour play about children in care taking their first steps to independence seemed like an unusual way to spend a Saturday evening at the theatre. Since it was based in Scotland I dragged fellow chorister Stephen to see it since he was from Glasgow and I figured he could help with the translation (well of the accents anyway). I was hoping I would get away with nudging him and asking from time to time "Wha-did-he-say? Wha-did-he-say??" This sort of worked... The play unfolds telling the stories of a group of children who pass through a "practice flat" as they gain their first steps to living independently and... adulthood. There is much scope for dream-like sequences, music and movement and these appear throughout and help make what could be a depressing subject a little more insightful and dare I say it... Even entertaining. While at n...

Idle Banter in Soho Saturday

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Man #1: How much is he selling it for? Paul: I think he said £20... Man #2: Will he throw in lube for free? Paul: Only if you want his spit... Posted by email from paulinlondon's posterous