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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Melodrama and plonk love potions: L'Elisir D'Amore

Laurent Pelly's revival production of Donizetti's L'Elisir D'Amore at the Royal Opera is an early Christmas present full of some fine singing performances and comic turns. The piece moves abruptly from comedy to tenderness and the performers handle this so believably that you find yourself completely drawn into this world of small town unrequited love and quack doctors administering love potions. Roberto Alagna plays the farm worker Nemorino who yearns for the love of Adina, played by Polish soprano Aleksandra Kurzak . Alagna tackles the role with bounding enthusiasm as he throws himself over haystacks and rips off his clothes revealling some very nice y-fronts and a tanned physique that suggests all that physicality has been paying off. Of course he sounds great too as the simple farm worker who constantly tries for the affection of Adina. Kurak manages to balance what could be an unsympathetic screechy character with one that is tender and nuanced, and reveals ear...