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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Seconds: Makeshifts and Realities @finborough

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The Finborough Theatre presents three short plays about women at the turn of the last century that feels both modern and foreign. The manners and traditions may have changed since the early 1900s. Still, something about the expectations for women and the challenges of being independent resonates today, not at least given the popularity of a particular summer movie .  Gertrude Robins wrote the first two pieces. She was an actor who turned to writing plays focussing on issues of the day; she died from tuberculosis in 1917, and performances of her works stopped. Her contribution to theatre may have been forgotten, at least until now.  The first piece, Makeshifts, introduces us to the Parker sisters, Caroline and Dolly. Caroline is the older sister with her shy demeanour and sense of duty to her family, which includes caring for their older mother and keeping the house in order. While Dolly is a teacher, she notes that "men fight shy of girls like me. They think we're too clever&
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Those magnificent men: Square Rounds @Finborough

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After watching Square Rounds it’s tempting to ponder did the toilet inspire some of the great discoveries of science. The toilet features prominently in this production. The invention of the modern toilet created the need for synthetic fertiliser. Which in turn led to the creation of the chemical weapons and explosives used to devastating effect in the First World War. And so goes Tony Harrison’s anti-war polemic about those who invented the great weapons of mass destruction. It’s having it’s first production in almost 30 years at the Finborough Theatre . The set is in blacks and whites. Just like the world of science.  But the clarity of science is lost in the fog of war as each great invention with a noble purpose also serves a more destructive one.  It’s depicted by an all-female ensemble to underscore that at wartime it was the women manning the factories. Doing all the work. And mostly spoken in verse. It’s a fascinating and provocative piece. With songs, projections and magic tri
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Jam: Just To Get Married @Finborough

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What's exciting about watching Cicely Hamilton's Just To Get Married is how it captures the spirit of a changing world. The piece is having its first London production in over 100 years at the Finborough Theatre . It's lost none of its bite with its central argument that women are forced into marriage for their own survival. It's the only way they are judged as a success and they don't get the same opportunities as men. It also captures life in Edwardian England where there was a fine line between living comfortably and just about managing. Here there is no safety net. No pensions. And if you're a woman, no right to vote either. Today, while some of the attitudes and priorities may have changed, some of the values may still seem familiar...
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