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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

My night with mum and me sisters: Straight and Narrow @abovethestag


Update: since posting, Above the Stag has announced its permanent closure

Above the Stag Theatre is going all retro with a revival of Jimmie Chinn's Straight and Narrow. Before the show begins, clips from television programmes and commercials are playing from the period to get you in the mood. In case you need to know (or be reminded) about what living in the eighties was like. And while time may not have been too kind to this piece with its views on women and foreigners, this production manages to create a vivid portrait of family dynamics in Manchester.

Set in the 1980s in Manchester, Bob (Lewis Allcock) and Jeff (Todd Von Joel) are long-term boyfriends who also have a successful business installing kitchens. But spending years together doing the same thing every day, they seem stuck in a rut. A trip to Malta is an opportunity to do something differently. But the trip didn't go as either of them was expecting. Things get a bit explosive and emotional on the return. And Bob's mother and two older sisters are there to observe the proceedings. Sex doesn't feature. There's only a passing reference to the AIDS epidemic. And the focus on the family dynamics makes it less My Night with Reg and more My night with mum and my two sisters and their husbands.

Bob also serves as a narrator of the proceedings as time jumps forward and back throughout, explaining how things came about. But the narration also comes with observations and generalisations that seem awkward and dated nowadays. Bob's description of how he longs for food that not even a Wetherspoons would serve these days sounded hilarious. And his craving for a holiday in Blackpool seems quaint in the era of package holidays and massive disruption at Manchester airport.

And while not all the family dynamics are always believable, there are some touching moments too. There's a tacit acknowledgement that even though Bob can't be open and honest to everyone in his family, they love him all the same. 

The production is incredibly detailed, getting the period pieces right. With pastel colours and furnishings, Bob and Jeff's home looks and feels so eighties. You don't often see this amount of detail in a fringe production in London. It's also impressive, given the production only had a week to put everything together.

Directed by Mark Curry, Straight and Narrow was at Above The Stag.

⭐️⭐️⭐️⭐️


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