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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Someone to watch over me: Dangerous Lenses #dangerouslensesplay @VaultFestival


As I am writing up my thoughts on Dangerous Lenses I can see the neighbours opposite have switched on their lights. They look like they're getting ready to head out. And the people below them are setting the table for dinner. Perhaps the life of a blogger and the recluse at the centre of this piece are converging.

The premise is that Ann (Grace Chilton) who lives alone is watching the lives of her neighbours as hers goes by. But when a new tenant and his daughter move in. And the tenant says she has no daughter. Ann starts to obsess about what she saw and didn't see.

Written by Brooke Robinson and directed by Melissa Dunne, this monologue is a great exploration of loneliness and obsession in the city. Chilton is great (and a little creepy) as the lonely people-watcher.

It's enough to make you reflect on all the times you've made assumptions or watched others. Assuming you've done that sort of thing.

Papercut Theatre, presented Just To Get Married at the Finborough in 2017. They're presenting this piece along with another, Lola at the Vault Festival until 27 January. It would be possible to see both in the same evening if you're quick.

But the Vault Festival is getting started. With over 400 shows on sale it's a showcase for great new writing, theatre and comedy under the Leake Street arches at Waterloo Station. Now in its seventh year, the programme this year is wild and varied. With something for most people, it'll be running through to 17 March. Ticket prices for events start at £5.

⭐️⭐️⭐️

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