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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Life without art: Theatre Channel Episode Seven @thetheatrechannel


Regents Park and the spaces around Regents Park Open Air Theatre transform into a magical world full of Rodgers and Hammerstein music in the latest episode of the Theatre Channel. Audition waiting rooms. Picnics in the park. Even the pond geese feature in this reinterpretation of the classic songs from the Rodgers and Hammerstein songbook.

Theatres are still playing to half capacity since being an afterthought in the great unlock down. And so, the Theatre Channel’s episodes continue to serve as a reminder about what we’re missing. This time around, it’s singing and dancing in the park. Without the garbage or hordes of people mulling about. 

Performances in and around the park taking a fresh look at the Rodgers and Hammerstein songbook include Michael Xavier performing Climb Every Mountain/You’ll Never Walk Alone’ from The Sound of Music and Carousel on an empty stage. Josefina Gabrielle in an alfresco take on The Gentleman Is a Dope’ from Allegro. And Caroline Sheen turning Whistle A Happy Tune from The King & I into a way to handle nerves outside the audition room. 

Regents Park Open Air Theatre will be staging Carousel later this summer. There’s also a sneaky preview of the show with behind the scenes rehearsal footage with Natasha May Thomas and choreographer Drew McOnie.

Directed by Thom Southerland and musical supervision by Michael England, episode seven of The Theatre Channel is available now to stream until Friday, 25 June. Previous episodes (1 – 6) of The Theatre Channel are available to purchase at Stream.Theatre to watch on-demand.


Photos by Edward Johnson

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