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The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

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A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

Lady be good: Jonathan Holloway's Jekyll and Hyde @JekandHydeUK


Jekyll and Hyde is a thoughtful gender reversal of this classic tale with some seriously atmospheric theatrical tricks up its sleeve. 

The piece adapted by writer director Jonathan Holloway has already been to London (albeit in a shortened form) in an equally interesting and shocking production.

Here things are fleshed out a little more and are infused with some pretty impressive production values for a fringe production, which is a co production with Hong Kong’s Chung Ying Theatre Company.



Arriving late to the theatre (you have to walk half way to Camden Town to access the entrance to the Platform Theatre), we still had time to stand briefly in awe at the beauty of the set before taking our seats. With its array of red lanterns, jagged edges and Victorian Gothic, it was moody and atmospheric stuff. It also looked terrific in the large and well-proportioned space (which once you find it turns out to be a real treat).

Dr Jekyll (played here by Olivia Winteringham) here is a sexy and seductive scientist who comes to England from the Balkans. Tormented by her past and fleeing horrors of her homeland she is conducting a series of experiments so she live in safety. But things are not what they seem as people are mysteriously murdered.

Her lawyer, upon discovery of the connection between Dr Jekyll and the madman Hyde finds himself drawn into a sexual relationship with the Dr Jekyll.

What stands out in both productions is the strong story and characterisations. This version feels sexier and the attraction between Dr Jekyll and her lawyer seems clearer. And although it omits a particular prop from the shocking climax (which had audience members gasping last time around), it is still equally effective.

Framing the story is the sale of a mysterious manuscript from a back room book dealer which gives the story its narration. The device last time around seemed odd and out of place but put in the context of an opium den, combined with a wonderful soundtrack full of crashing symbols, accordion and clarinet it all makes for a creepy and entertaining night out.

Jekyll and Hyde runs at the Platform Theatre, Central St. Martins Granary Building at Kings Cross until 8 August.

⭐︎⭐︎⭐︎⭐︎

First impressions with @johnnyfoxlondon follow...

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