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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Lady be good: Jonathan Holloway's Jekyll and Hyde @JekandHydeUK


Jekyll and Hyde is a thoughtful gender reversal of this classic tale with some seriously atmospheric theatrical tricks up its sleeve. 

The piece adapted by writer director Jonathan Holloway has already been to London (albeit in a shortened form) in an equally interesting and shocking production.

Here things are fleshed out a little more and are infused with some pretty impressive production values for a fringe production, which is a co production with Hong Kong’s Chung Ying Theatre Company.



Arriving late to the theatre (you have to walk half way to Camden Town to access the entrance to the Platform Theatre), we still had time to stand briefly in awe at the beauty of the set before taking our seats. With its array of red lanterns, jagged edges and Victorian Gothic, it was moody and atmospheric stuff. It also looked terrific in the large and well-proportioned space (which once you find it turns out to be a real treat).

Dr Jekyll (played here by Olivia Winteringham) here is a sexy and seductive scientist who comes to England from the Balkans. Tormented by her past and fleeing horrors of her homeland she is conducting a series of experiments so she live in safety. But things are not what they seem as people are mysteriously murdered.

Her lawyer, upon discovery of the connection between Dr Jekyll and the madman Hyde finds himself drawn into a sexual relationship with the Dr Jekyll.

What stands out in both productions is the strong story and characterisations. This version feels sexier and the attraction between Dr Jekyll and her lawyer seems clearer. And although it omits a particular prop from the shocking climax (which had audience members gasping last time around), it is still equally effective.

Framing the story is the sale of a mysterious manuscript from a back room book dealer which gives the story its narration. The device last time around seemed odd and out of place but put in the context of an opium den, combined with a wonderful soundtrack full of crashing symbols, accordion and clarinet it all makes for a creepy and entertaining night out.

Jekyll and Hyde runs at the Platform Theatre, Central St. Martins Granary Building at Kings Cross until 8 August.

⭐︎⭐︎⭐︎⭐︎

First impressions with @johnnyfoxlondon follow...

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