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Belters and bohemians: Opera Locos @Sadlers_wells

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At the start of the Opera Locos performance, the announcement says that they really are singing. You could be forgiven for wondering that, given the amplification turns up the backing track and the voices so loud that you can't always tell what's real. But this is a mostly harmless and slightly eccentric blend of opera classics fused with the occasional pop classic. However, recognising the pop tunes would help if you were over a certain age. The most recent of them dates back twenty years. It's currently playing at the Peacock Theatre .  Five performers play out a variety of archetype opera characters. There's the worn-out tenor (Jesús Álvarez), the macho baritone (Enrique Sánchez-Ramos), the eccentric counter-tenor (Michaël Kone), the dreamy soprano (María Rey-Joly) and the wild mezzo-soprano (Mayca Teba). Since my singing days, I haven't recognised these types of performers. However, once, I recall a conductor saying he wanted no mezzo-sopranos singing with the s

Music: Maria Frieman Re-Arranged

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Meeting Maria Friedman , originally uploaded by Andrew Orange . I don't normally go for photos with performers but West End Whinger Andrew made me do it since he hassled Maria Friedman enough to get her to pose for photos. Why not blind her in the process? I don't quite recall what the distraction was... Nor why I am covering my mouth... Anyway, Maria Friedman has just started doing a concert series at the Menier Chocolate Factory through until May. Maria has been around for ages (particularly if you note her very long timeline on her website), and I had seen her in the concert version of Follies last year. But not being a Friedman devotee (or should that be groupie?), I wasn't particularly won over by the music, performance or banter of the first half of the show. I wasn't alone with this view either, since the guy next to me fell asleep. By the second half however, the show picked up the pace and turned out to be quite a treat. Particular highlights were he

Overheard at the gym Monday...

Man #1: You go to Trade yesterday Man #2: Nah. Couldn't get tickets. Went to Joiners Arms instead... Man #1: You went to... Vaginas??? Man #2: No we didn't go there. Joiners not vaginas! Joiners Arms... It's in Shoreditch...

Scenes from Royal Festival Hall Sunday...

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160320084215 , originally uploaded by Paul-in-London . Well... the best service comes from the automated ticket machines there anyway...

Theatre: Postcards From God - The Sister Wendy Musical

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Friday night I had the chance to see at Hackney Empire studio Postcards from God - The Sister Wendy Musical . Written by London Gay Men's Chorus member Marcus Reeves , it tells the story of the rise to fame of a nun - Sister Wendy Beckett - and her love of art. I pretended to recall the Sister Wendy phenomenon of the nineties when Marcus asked me at a rehearsal last year "You remember Sister Wendy?" But the reality was that the phenomena passed me by. Fortunately there is enough on Youtube to enable anyone to brush up on her life and her passion for Poussin. The musical featuring Gay Soper in the title role as Sister Wendy Beckett covers her life from contemplative hermit to celebrity art critic. Part of the fun in watching this show is when the art she talks about comes to life. I would have preferred the focus to remain solely on Sister Wendy, Soper's terrific performance, and less of the side characters (and giving her much more to do throughout), but there are

Overheard at the gym Monday

Man: You know she doesn't cook... I cook... She doesn't clean... I clean... It's like I'm living with a bloke...

Idle Sunday Bar Banter...

Grant (coughing and choking): I need burping, what is that thing they give to babies? Paul: Breast milk?

Theatre: Make Me A Song

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All I'm asking for is a tune Something itchy to tap my toes to Something that in late afternoon Makes high strung boys collapse... (Make Me A Song - William Finn) I have been familiar with the music of William Finn for a little over five years now... This is not long for a groupie, but after seeing a performance of Falsettos with the opening number "Four Jews In A Room Bitching" I knew his music was going to be my cup of tea. While the subject matter (brain tumours, Bar Mitzvahs etc) I am not always able to relate to, the themes, issues and the humour his work explores I have loved. And since my Falsettos moment, I have made a point of finding the rest of his music. This has led to me laughing out loud on the tube (always a good way to get labelled a freak) listening to Infinite Joy and relishing the chance of being a disciplined non-hammy speller on Broadway . But the fact that his music hasn't really had a decent showing in London has always bothered me. Perhaps i