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Belters and bohemians: Opera Locos @Sadlers_wells

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At the start of the Opera Locos performance, the announcement says that they really are singing. You could be forgiven for wondering that, given the amplification turns up the backing track and the voices so loud that you can't always tell what's real. But this is a mostly harmless and slightly eccentric blend of opera classics fused with the occasional pop classic. However, recognising the pop tunes would help if you were over a certain age. The most recent of them dates back twenty years. It's currently playing at the Peacock Theatre .  Five performers play out a variety of archetype opera characters. There's the worn-out tenor (Jesús Álvarez), the macho baritone (Enrique Sánchez-Ramos), the eccentric counter-tenor (Michaël Kone), the dreamy soprano (María Rey-Joly) and the wild mezzo-soprano (Mayca Teba). Since my singing days, I haven't recognised these types of performers. However, once, I recall a conductor saying he wanted no mezzo-sopranos singing with the s

Overheard at the gym Thursday...

Man 1: Yes what was how you used to do it? Man 2: It was 2 egg whites in the blender with the protein shake Man 3: Oh yeah that's right. After some pasta... Man 2: Oh no pasta. That's carbs...

Scenes from Carnaby Street...

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Spreadin' the lurve... See and download the full gallery on posterous Posted via email from paulinlondon's posterous

Theatre: Nation

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About half an hour into Nation , the new "exhilarating" production at the National Theatre at the Olivier Theatre, I hear whispered in my ear the words that you always wish you didn't hear on a night out: "This is a bit boring..." Alas it was the truth. The acting seemed one note, the direction flat, the music painful and there was also the return of the pointless revolve . As for the plot, it kept getting thicker every two minutes. It was as if the creative team decided to shove as much as possible of Terry Pratchett's book on stage and to hell with the consequences. Well the consequences were an awful lot of fidgeting in the audience as if they had fleas, a lot of watch staring and some fairly muted applause at intermission. Bearing all this in mind, I would have suffered the second half, but I took the advice of some wise theatre peeps who suggested that life is too short to sit through bad plays when you could be enjoying your life at the pub. I did sub

Overheard on the Tube home Tuesday...

Man 1: She gives me evils because I'm dis neo liberal like you know... Man 2: Yeah and wiv your business acumen and that...

Saturday morning coffee and muffins

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Posted via email from paulinlondon's posterous

Overheard at the gym Thursday...

Man number one: So how do you get it like that? Man number two: Well the pastry has to be the right consistency...

Music: Michael Feinstein

Spending Sunday evening with Michael Feinstein and his 17 piece band was a great way to pass the time. When I last saw him five years ago, I wasn't so enthused by his performance. Since then he has released a number of new albums including most recently his Sinatra album with new interpretations to the music of Sinatra. This seems to have thankfully given him new music to explore, beyond being known just as the Gershwin man (or one of the foremost interpreters of Gershwin's music). The concert featured a range of songs recorded by Sinatra, but also included some tributes to Cole Porter (including with John Barrowman ) and at 53, he is looking and sounding pretty good. There were various nods to famous people in the audience such as Leslie Bricusse and Judge Judy (who married Feinstein and his partner), but in the end it was an evening of music. And the music sounded great... If only leaving us wanting to hear a little more from that band...

Play: Prick Up Your Ears

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Prick Up Your Ears has sort of become known as the play that Matt Lucas pulled out from following the death of his ex partner. It is a shame really as it is a great little play that deserves to have an audience. Con O'Neill who replaces Lucas gives an excellent performance as Kenneth Halliwell, who killed his lover, playwright Joe Orton , in their small flat in Islington in the summer of 1967. Some of the reviews noted that it is definitely a play for anyone who has a more talented partner... While I would like to think that we all have our own strengths, but I have made a mental note not to share a studio flat with anyone who likes collages. The play follows their antics of Kenneth and Joe where they defaced books at the Islington Library , and then following a short stint in prison, the rising career of Joe's. It all ends in a fight however, and I personally could have done without the nine hammer blows to the head at the end of the play, but then again I did see it on Hallo