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Same but indifferent: Laughing Boy @JStheatre

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Stephen Unwin's Laughing Boy, adapted for the stage from Sara Ryan's Justice for Laughing Boy, is a powerful and moving story about a mother and a family that keeps asking questions despite the victimisation and harassment from the institution - the NHS - that was supposed to protect her son. It's a moving, celebratory account of a life cut short due to indifference held together by a remarkable performance by Janie Dee as Sara. It's currently playing at the Jermyn Street Theatre .  Sara's son, Connor, is a little different to others. He is fascinated by buses and doesn't like things like loud noises. But as he becomes an adult, his seizures and unexpected outbursts mean the family turn to their local NHS for support. Little did they realise they would receive such little care from a service that was institutionally incompetent and covered up thousands of unexplained deaths of people with disabilities, including Connor's. The search for answers about why he

In other news in London

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East London Advertiser Originally uploaded by LoopZilla You have to watch out for those birds ...

Theatre: Hobson's Choice

At the end of Tuesday night's performance of Hobson's Choice at the Broadway Theatre in Catford, the woman behind us leaned over and said to Johnnyfox and myself, "You two are terrible..." I was thinking, hmm wasn't that exactly what the ladies at the Gatehouse said when we saw the high furniture removal production of High Society ? Well naturally anything with the slightest double entendre is going to make us titter, so lines like "I like a man who's good with their fingers" is naturally going to lead to trouble. Of course this woman's mind also was in low places; she was the lone person laughing following the line that mentioned something vaguely about finishing up your work before you come (to bed). Schoolboy antics aside, this is a great production of the Harold Brighouse play, briskly paced and acted well. Oh and it is directed by Thom Southerland who always manages to make a show look great in a tight space. Written in 1914 and set i

Theatre: Bette Bourne and Mark Ravenhill

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I finally managed to catch Bette Bourne and Mark Ravenhill: A Life in Three Acts at the Soho Theatre on Friday night before it finished its run this weekend. It is part reading, part conversation, part cheap laughs, part oral history of the gay liberation movement in London and (on Friday night at least), part watching members of the audience get up and go to the toilet and watching Ravenhill give his death stare at them when the returned. Maybe it was the wind chill and happy hour at the bar that kept sending so many people out of the theatre... None of them were particularly light on their feet either. Still, this is a great night out and here's hoping this isn't the last time this is seen. Bourne who is now 70 and living in a housing estate in Notting Hill has loads of stories to tell. Over his years he performed at the Old Vic, set up a squat with drag queens and appeared on the BBC. He also found particular fame in the gay community with his cabaret troupe, Bloolips . The

Music: Oklahomo

It's hard not to like a show that is under ninety minutes but Far From Kansas from the London Gay Men's Chorus was doing another encore performance of last year's Edinburgh Fringe Fest show, Oklahomo. Fine singing and gingham shirts abounded... Sometimes even in the audience. They take the show shortly to Dublin... Listen! via AudioBoo Posted via web from paulinlondon's posterous

Theatre: Ghosts

The last play I saw in the Duchess Theatre was about cottaging with Sir John Gielgud , and now I was there watching a play about syphilis. It is enough to make you wonder about what you might pick up from going out to the theatre. Fortunately this time around at the Duchess Theatre the play was Ibsen's Ghosts . Ghosts tells the story of a woman whose husband was a bit of a dirty man and died early, and how she has to deal with her son going the same way thanks to congenital syphilis. Meanwhile to put all this behind her she has decided to open an orphanage on her property. That all seems fairly straight forward but I couldn't help but think that this once-scandalous play seemed a bit of a mild affair. The characters seemed as irritated with the weather as the sexual depravity so it was a bit hard to put it all in perspective. Still it is entertaining enough an evening to watch Lesley Sharp and Iain Glen spar about virtuous and noble lives. And the simple set is lovely to look

Scenes from Bank Tube Station Stairwell

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IMG_1506 , originally uploaded by Paul-in-London . I think it was chicken, not human...

Scenes from a bar wall in Covent Garden

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IMG_1505 , originally uploaded by Paul-in-London . Now there's a date for the diary...

Seven observations on Megan Mullally's First Night in London

Not counting the West End Whingers and friends, the audience for Megan Mullally and Supreme Music Program appears to be a mix of gay men and their mothers. And lesbians. Some lesbians even brought banners to unfurl during an opportune moment. Here's hoping this is a new trend in the West End for lesbians with banners amongst the audience, particularly if they help performers feel less nervous... When she sings George Jone's The Grand Tour , a song about a man who finds his wife has left him and taken their child, it brought the house down. She sings the song from the point of view of the man, as originally written which went down well with the audience... It's not really lesbian music , but it could be. The band sounds great and the choice of music is refreshing with a mix that isn't old standards or songs from shows she has been in... The show promotes her Will and Grace fame to get the punters through the door, and then delivers an evening of great and lacklustre