Paul in London

The Children's Hour , which has just started previews at the Comedy Theatre is one of those blockbuster dramas with a fantastic cast that you just have to go see. Lillian Hellman's  dated 1934 play gets some serious star power here. With Keira Knightley and Elisabeth Moss in the lead roles, along with Ellen Burstyn, Carol Kane and Tobias Menzies you feel as though you should applaud everyone's entrance just because it is the thing to do. Despite running at the Comedy Theatre, the play is a drama set in an all-girls boarding school run by Karen and Martha (Knightley and Moss). When an angry student runs away from the school, she tells her grandmother that the two headmistresses are having a... (whispered so you can't hear...)  lesbian affair to avoid being sent back to school. Therein lies the drama and questions about why two women are setting up a boarding school in a country town, what is truth and why does Karen keep prolonging her engagement abound. Of course t

Friday night I finally managed to catch Season's Greetings at the National Theatre . This revival of Alan Ayckbourn's black comedy has been showing since late last year and has received some great reviews . Set during the Christmas holiday period in the early 1980s, it focuses on an average English family Christmas where relationships have gone stale, children abound (although not on stage), and people have had a little too much to drink. I'm assuming that it is an average English family given the number of comments overheard during interval such as "that's a bit close to the bone" or "it reminds me of my family." These were also rather curious comments given that the first act's final scene must rank as one of the funniest on stage for some time. It involves a sexual tryst gone wrong and a rather annoying toy that blows a whistle and beats a drum. I guess there are some English proclivities I might not fully understand. Of course in some

Shadow Catchers - V&A from Sound Films on Vimeo . The Victoria and Albert Museum has been running an excellent little exhibition since October last year on Shadow Catchers: Camera-less photography and I managed to take a look at it over the weekend. After brushing up on what a photogram is via the Art of Photography (basically its an image created by placing an object on light sensitive paper), we headed over to the V&A to look at some shadows... This exhibition is an opportunity take in some extraordinary pieces that leave a lot up to the imagination, or at least provoke it a little. The low light of the exhibition space helps, and adds a moody atmosphere. There is beauty with the simplicity of the works, particularly those that hinted at absent objects. They appeared less impressive when combined with other photographic techniques, although it is easy to appreciate the effort required in their production. It is at the V&A until February 20... Initial boo tho

Just before it opened this week I caught a preview of The Black Swan , the Natalie Portman movie which currently has posters all throughout the tube network. It is a gripping film about paranoia, fear, dedication and broken nails. Portman plays the role of Nina, who is coming to grips with the leading role in Swan Lake, while fearing her understudy played by the sexually provocative Mila Kunis. You don't see much ballet so it is not a modern day The Red Shoes . It has more in common with films such as Polanski's The Tennant . The art is metaphor here and the central message surely has to be you can never try hard enough, as long as you stay away from broken mirrors and lesbian fantasies... The debate about whether it remotely resembles anything of life in the ballet will continue. This is a movie so one suspects it is as far removed from reality as possible. Winnona Ryder is supposed to be a brilliant ballerina in her decline but spends her small amount of screen time looking

The first attempt to see La Bohème at the Cock Tavern last month was thwarted by snow (and the subsequent obligatory transport disruptions), so it was a relief to catch it at the Soho Theatre on Tuesday night to see what the fuss was all about. This production of Boheme updates the story to the present day and is in English. The story is now in London Soho where poor struggling bloggers writers are trying to make ends meet. Mimi is an eastern European migrant worker who makes a bare living cleaning people's homes. When you read stories about homeless Poles eating rats , none of the problems the characters face in the opera seem far from the harsh realities for some of living in London today. While the singing is good (but not great), what sets this show a cut above anything else is the passion and emotion the cast convey. There is an awful lot of energy and enthusiasm here... At the end of the second act everyone is asked to make their way to the bar, and the show commen

First impressions below of an emotionally charged and thrilling night at the theatre. It's return run at the Soho Theatre is until 20 February. More later... Listen! Listen!

I caught the movie 127 Hours over the weekend. Directed by Danny Boyle and starring James Franco , the film is the real-life story of mountain climber Aron Ralston, who became trapped by a boulder in Robbers Roost, Utah, for more than five days in 2003. Those familiar with the story know how he escapes but up to that point the movie is a great example of what not to do when messing about with nature. His escape had many people covering their eyes to avoid watching the movie at that point. I was later told that I was the only male doing this in the cinema, but I will insist that I was not. It was pretty gruesome and graphic and I could understand why those more sensitive movie-goers in Norwich might require medical attention... Franco keeps this an intense but very entertaining movie throughout and you're with him all the way. While he isn't as sexy in this film as he is selling Gucci fragrances, there is something very likeable about the character he has created here. Th