Theatre: I Love You Because...



Not content with seeing just Hairspray this week, on Wednesday I went with John to see I Love You Because... at the Landor Theatre in Clapham. The Landor is a bit of an oasis in a cultural desert known as Landor road that is better known for the number of local youths with ASBOs and shops converted into bedsits. A pity since the show has been drawing in the crowds from across London that they have nowhere to spend their money before or after the show... Still it is my local theatre pub so the thought of seeing something that was really good at it was even more of a reason to get there...

The show is a quirky off-Broadway New York show that is actually pretty darn good. I have had the cast album for some months now, but hadn't given it much thought until Wednesday because let's face it, dramatic context helps. It helps allow for some of the more curious artistic choices (such as writing a song that prominently features a barista). The show charts the life and loves of the four central characters and being a sucker for any sort of character-driven show it held my undivided attention. It held the rest of the audience's attention too, particularly since the first song opens with a shower scene with the lead character. Alas there is no nudity as it is all just smoke, tight pants and a plastic shower curtain. Nevertheless the show was so entertaining and well acted that it was hard to be too disappointed by anything on offer... even the man boobs...

It finishes Saturday but hopefully it will have another life soon. Returning to the tube John and I were confronted with one of the locals on Landor road who has eschewed the need to beg and just started shouting at anybody who passed "GIMMAAHPUND!" and "AAAAH NEEDA PUND!" and "APUND! APUND!". Having recognised him in a previous street begging scenes across SW London I didn't think much of it, but John suggested to him he would need more than one pound to get good elocution lessons... We were leaving the Oasis indeed... Still, having seen a show where a rickshaw peddler picks up an actuary I was willing to belive anything was possible...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...

Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…
Read more...

Swatting: The Flies @BunkerTheatreUK

Image
The Flies at The Bunker theatre is a chance for production company Exchange Theatre - which specialises in translating plays for English audiences - to return to the piece that put them on the map. With live music, video and eye-catching design, it’s an ambitious piece. But it seemed to miss any sense of drama. And it’s star actor Meena Rayann was off too.

Jean Paul Satre’s take on the Oresteia and the Electra myth, was written during the Nazi occupation of France. Fast forward seventy years, it's tempting to equate today’s new nationalists with yesterdays fascists. But it's a lazy comparison given the grand themes under exploration here. It feels more like an apparent dig at Nazi occupation, organised religion or group think over fake news, immigrant bashing and economic hardship.


It opens where two travellers approach Argos, a town where everyone is in mourning. One is Orestes in disguise. The city has become a dark place cursed with flies as punishment from the Gods since …
Read more...

Age of innocence: Country Music @Omnibus_Theatre

Image
The latest instalment of the Up series landed this week. It tracks the lives of a bunch of unrepresentative British people every seven years. Fascinating in its ordinariness and irritating by director Michael Apted's random and pompous commentary, it was on my mind as I was watching Country Music. It's a much more subtle exploration on how people change over time. Or at least your perception of them. And how your life can be shaped from your early years in ways you can never appreciate. It's currently playing at the Omnibus Theatre.

Jamie (Cary Cranson) and his girl from school, Lynsey (Rebecca Stone) are in a car Jamie has stolen. Along with a large bag of crisps. It's 1983, and they're just out of school. They talk about getting away and the benefits of different flavours of crisps. But beneath the surface, something isn't quite right. Jamie has a short fuse. There's talk about a mighty fight. And soon, Lynsey is scared.


Things jump forward a few years, …
Read more...