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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Love and marriage: Mrs Orwell @ORLTheatre


London in 1949 was a grim time with ration books and strange fish from South Africa. But it's amazing the lengths people will go to keep up morale. Or secure a future income. The business of marriage is explored in Mrs Orwell, currently playing at the Old Red Lion Theatre.

It opens shortly after the publication of Nineteen Eighty-Four. George Orwell is dying of tuberculosis in hospital. But in his rage against the dying light he believes he has at three more novels in him. So to keep up his morale he proposes to his friend Sonia Brownell, an assistant magazine editor.

Brownell is clear that she is not in love with him, but she does care for him. And she realises she could be his only hope to keep him going. Her heart is with a French Philospher and her body is often with Lucien Freud. Well, such is the glamorous life living with artists.

A terrific cast has been assembled here. Cressida Bonas as Sonia is cool and conflicted as the great beauty and potential saviour. Peter Hamilton Dyer as Orwell captures his obsessions and contradictions as he struggles to live to write that next novel. And Edmund Digby Jones is a delight as a Lucian Freud, presented here as a provocative sexual predator.

Robert Stocks as his publisher and Rosie Ede as his Nurse also serve to create further context of his life and the time.

It is a great looking production too. Rebecca Brower's fantastically plain looking hospital room sets the right mood.

Tony Cox's script brings together the intrigue and gossip of the time to create a simple story about art and compromises. It also gives a different take to the view Brownell was a gold digger. Considering she died penniless in 1980 she wasn't a very good one if she was.

Directed by Jimmy Walters, this production by Proud Haddock deserves to be around longer. But for now Mrs Orwell is at the Old Red Lion Theatre until 26 August.

⭐️⭐️⭐️⭐️



Photos by Samuel Taylor

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