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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Little rocks: Gentlemen Prefer Blondes @TheUnionTheatre

Two ladies looking for wealthy men to marry might seem like an unusual musical for revival in this #metoo era. But with Gentlemen Prefer Blondes, the Union Theatre transforms into a bubbling 1920s escapist fantasy. Amongst the froth, there are also some shrewd observations about harassment and survival in a man’s world. And with a terrific cast, exhilarating dance numbers and a fabulous set and costumes, it has to be one of the best things to see on the fringe right now.

The tale of blonde gold-digger from Little Rock may be forever associated with Marilyn Monroe and Jane Russell. Walking into the Union Theatre with its red stage feels like a reminder this is the show where Marilyn performs Diamonds Are A Girls Best Friend. But the musical, which dates from an earlier, more risque time has a lot more to say than the film. Unwanted advances, criminal charges and a revolutionary device that will change the face of fashion. It’s all here among some exuberant musical numbers.

The mood is set from the start with a dazzling opening number led by Eleanor Lakin, and it never seems to let up. Particularly with the exciting dance sequences choreographed by Zak Nemorin and musical direction by Henry Brennan.

Abigayle Honeywill as the high pitched Lorelei has a great sense of comic timing and rich vocals. The rest of the cast serve the material well too and there are possibly a few stars in the making here.

The musical is based on Anita Loos best selling novel about various escapades of a blonde bombshell, Lorelei. She’s a gold-digger from the wrong side of the tracks and looking for a man. For dubious reasons she’s alone with her friend Dorothy as they travel across the Atlantic on their way to Paris. There are enough plots and subplots to boggle the mind, but the music by Julie Stone and lyrics by Leo Robin is full of memorable tunes. This production makes it a thrilling revival of a rarely seen musical in London.

Directed by Sasha Regan, Gentlemen Prefer Blondes is at The Union Theatre until 26 October.

⭐️⭐️⭐️⭐️



Photos by Mark Senior

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