Paul in London

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I suddenly had the urge to eat a huge roast chicken. Can't quite work out what came over me... Posted via email from paulinlondon's posterous

Donizetti's Don Pasquale at the Royal Opera was a nice way to spend a Sunday evening. Not good or bad but nice. There was nothing terribly engaging about the performances, and in the first act it was a struggle to hear anything much from the cast. Later we were informed that one of the cast members was having problems but would persevere for us all. But the opera is witty and the story around an old man who marries to spite his nephew moves briskly through its three acts and comes with some laughs. Particularly exciting was watching conductor Evelino Pidò conduct the opera chorus in the third act, which was a performance in itself. Jonathan Miller's 2001 production still looks fair enough, although its doll's house set design manages to distract one's attention and is possibly the reason for the poor quality sound. On the other hand you do get a better view of the cast than you would normally sitting in the amphitheatre... It runs through September and worth catching

Stephen Sondheim's Passion has started previewing at the Donmar as part of the Sondheim at 80 season... This dark story about a young officer drawn towards a sick unhealthy woman is less musical and more melodrama set to a lush romantic score, with a bit of crazy thrown. The musical motifs repeat and repeat to a dizzying point and if you let yourself accept the basic premise of the show you're in for a hell of a ride. I have always liked this show in which the central message seems to be long distance relationships don't work, no matter how well written the letters are. Sondheim's music and lyrics are more natural here and grounded in realism, including told through a series of epistolary songs that repeat and alter. And if it this production is this good on the first night, it can only get better. The show opens with Scarlett Strallen as Clara and David Thaxton as Giorgio in their underwear doing gymnastic gyrations on an unmade bed. Amongst all this they manag

A little bit of muscle and a big bang... Posted via email from paulinlondon's posterous

After catching Tuesday's preview of Deathtrap with the West End Whingers and others , I was left slightly ambivalent about it. Sure it was entertaining and mildly amusing, but so is throwing insults at chuggers , and you can do that for free. I had also missed catching the "movie-like" trailer on the internet as well so even the pre-show buzz about this show had passed me by. So when the opportunity arose to see it again on Saturday night, I thought why not. So this post covers both the Tuesday and Saturday preview of the show... It may be a little odd seeing the same show twice in one week but I figured I would simply channel the mindset of Simon Russell Beale's stalker   number one fan  to get through the show... Upon arriving at the theatre, you are asked not to give away the story to others and I suspect that is because if people knew it was as creaky as the set then they might have second thoughts. On Tuesday night what made it fun was the audience screami

Listen!

A midweek trip to Edinburgh with Johnnyfox for the Fringe was brief but productive. Ten shows in three days and not too many were duds. This was a bit of good luck as the awful little secret that nobody dares mention is that... most of the stuff on in Edinburgh is crap. The Fringe Festival seems to be mostly run by students and staged by students so it helps to brace yourself and expect the worst. It was also entirely possible to see more shows in three days but it is important to allow time to savour the fine food of Edinburgh as well and then use your time at the shows trying to digest it... Anyway here are the shows I caught: Sordid Lives  was performed by the Tower Theatre company and had some fine performances. It was well worth putting up with the slow first half, particularly when it came alive with a great drag performance at the end. It finishes Saturday but will be in London next month. Listen! The Improvised Musical performed by No Shoes Theatre. Apart from the fact

Once upon a time, I went to Regents Park Open Air Theatre and sat in the rain to watch HMS Pinafore . There was barely any audience, it was freezing and I got wet. Five years passed and all had forgotten this incident. And then one Friday evening we got ready to see a preview of Into the Woods . It was raining and it was freezing. However we did not quite get so wet. This time we made use of seat covers and fashioned them into smart little outfits with bonnets. It may have looked like we had just been to the dry cleaners, but "dry cleaner chic" abounded on Friday night. It was awfully sensible but it made it a bit harder to applaud the many fine performances we saw (unless you punched out holes for the arms)... And so under the weather, we started watching this fantastic show. There probably isn't a better setting than the Regent's Park Open Air Theatre for this show. The dampness and the chill added to the atmosphere and the set just blended into the park'

Sweet Charity has been playing on the West End since May, and it is still showing plenty of signs of life. At present the understudies are covering the roles of Charity, Nickie and Helene and are fantastic and serve as a reminder that you don't need to be a name to give a great performance. The musical itself is an old fashioned musical fluffed up to some extent to make it feel less dated. It's a little bit coarser and dirtier and the drug use is a bit more explicit, but these changes make you feel like you are trapped in a time warp; torn between the sickly saccharine musical and the coarser (and far edgier) Fellini source material . Still this is the show that introduced the world to the numbers "Big Spender", "If my friends could see me now" and "Rhythm of Life" so there is a familiarity to the show for everyone even if you have never seen a musical before. And while it is by no means a great musical, it does at least provide the actors