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Belters and bohemians: Opera Locos @Sadlers_wells

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At the start of the Opera Locos performance, the announcement says that they really are singing. You could be forgiven for wondering that, given the amplification turns up the backing track and the voices so loud that you can't always tell what's real. But this is a mostly harmless and slightly eccentric blend of opera classics fused with the occasional pop classic. However, recognising the pop tunes would help if you were over a certain age. The most recent of them dates back twenty years. It's currently playing at the Peacock Theatre .  Five performers play out a variety of archetype opera characters. There's the worn-out tenor (Jesús Álvarez), the macho baritone (Enrique Sánchez-Ramos), the eccentric counter-tenor (Michaël Kone), the dreamy soprano (María Rey-Joly) and the wild mezzo-soprano (Mayca Teba). Since my singing days, I haven't recognised these types of performers. However, once, I recall a conductor saying he wanted no mezzo-sopranos singing with the s

Theatre: Betty Blue Eyes

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Finally caught Betty Blue Eyes at the Novello over the past weekend. It is an excellent looking production with a great cast and star performance by a pig that gets wheeled about with what looks like a very long extension cord. The music is fine too. But watching this show is almost as unsatisfying as post-war rations. What should be a very cracking musical comedy gets bogged down with subplots and misplaced sentimentality. And when the farce finally gets going it is quickly jetissoned as if fun can't be had at the theatre. The central message at the end (and a very English one at that) seems to be by conniving with the corrupt townsfolk you can enter into society... Perhaps if part of the creative team that managed to suck the life out of Mary Poppins (and drag it out for three tedious hours to boot) could trot off and come back with a shorter funnier version of this show down the line... All the ingredients are there for a smashing show... There is just a bit of swill t

Theatre: Four Dogs And A Bone

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Thursday evening was an opportunity to catch Rock 'n' Roll Theatre's production of Four Dogs And A Bone at the Phoenix Artists Club . The play, by John Patrick Shanley (of Moonstruck and Doubt fame), focusses on the business of Hollywood, the backstabbing and shenanigans that go on to get a film made. It is a dark world where bond completion companies, sexual favours and lecherous producers rule. This piece which runs a little over an hour focuses on two actresses appearing in the film. One is an established theatre actress, Collette (Laura Pradelska) who does not want to become a character actress. The other is Brenda ( Amy Tez ), an up and coming performer so desperate to be famous she chants daily for it... Each know that slight changes to the script could improve their career prospects remarkably. They enlist the support of the writer and the producer to help secure their aims, with sometimes comic and always engaging results. The Phoenix Arts Centre, with its

Architecture and Art: Summer Pavilion at the Serpentine

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This year's summer pavilion at the Serpentine Gallery is a hot noisy affair... Imagine a spaceship has landed in Kensington Garden (albeit one made out of wood) and is about to take off with various plant samples... While Peter Zumthor may have had in mind a tranquil garden and oasis from the rest of the park, in reality the noise is just amplified to unbearable levels with the hoards of people inside. And on a warm day it just feels so much warmer... Still the temporary concrete pathways leading to it are lovely. Tranquility is better found inside the gallery with Italian artist Michelangelo Pistoletto's exhibition  The Mirror of Judgement . It is  a meditation on religion and faith amongst cardboard and mirrors... It runs until 17 September and is worth a look... Free too...

Theatre: Four Nights in Knaresborough

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A play about the men who assassinated Thomas Becket , the Archbishop of Canterbury, in 1171 seems an unlikely source of an entertaining night. But this production at the Southwark Playhouse of Four Nights in Knaresborough is so sexually charged, so pumped up and full of machismo and so bloody and funny that it is hard to resist.

Opera: Madama Butterfly

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Madama Butterfly (appropriately subtitled "Japanese tragedy in three acts") is a little too dramatically obvious, and musically unsatisfying. But the performance by Kristine Opolais as Cio-Cio-San is the sort of dramatic and powerful performance that this piece needs and she had the audience cheering for her on Saturday night. It is all high melodrama and her transformation from a meek and feeble fifteen year old girl, to a woman rejected is incredible and really fleshes out this minimalist production.

Comedy: The Worst of Late Night Gimp Fight

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It is possible that the title of the show The Worst of the Late Night Gimp Fight at the Soho Theatre, is one of the funniest things about this show. The singing is patchy, the clothes are a bit scrappy and most of the men look like they need a wash. But gradually over an hour they do kind of win you over with their show. The Godfather sketch (featured above) is indicative of their antics. There are plenty of gimps, and a few piss-weak fights. They could have also worked on the front row a little more as they seemed to be making their own entertainment... The material is good but you get the feeling they could take the comedy a little further and a little darker... Here's hoping they keep pushing those boundaries beyond the obvious... They are at the Soho Theatre until 8 July.

Gay: Pride London

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It is Pride London parade today. Lesbians, drag queens, gay boys, drag queens, muscle men are in town so expect delays in Soho at the bars. And don't feed the bears. They seem to have packed lunches... Location: London,United Kingdom