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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Opera: Madama Butterfly



Madama Butterfly (appropriately subtitled "Japanese tragedy in three acts") is a little too dramatically obvious, and musically unsatisfying. But the performance by Kristine Opolais as Cio-Cio-San is the sort of dramatic and powerful performance that this piece needs and she had the audience cheering for her on Saturday night. It is all high melodrama and her transformation from a meek and feeble fifteen year old girl, to a woman rejected is incredible and really fleshes out this minimalist production.


The audience around me were not so rapt with the performance of James Valenti, as he is less of a big bold cad and more of a tender thoughtless B.F. Pinkerton, who marries Cio-Cio-San and assumes she understands the nature of the relationship. I did not mind this subtle choice, and listening to him on Radio 3 relay of the performance you would be none the wiser. And being a tall, strong-looking American, he certainly looked the part (as this brief story about him shows). The finale keeps him off stage and puts the audience firmly in the shoes of butterfly.

The opera is probably one of the better outdoor operas, particularly going by the tweets from the audience that watched Monday night's performance outdoors as part of the BP Summer Screens.




It has two more performances, not counting the 3D recording that takes place on Friday. The 3D recording is an opportunity to catch the opera at a bargain price (if you don't mind the cameras).

Next up for BP Summer Screens (and for me) is Cendrillon which opens on Tuesday night with Joyce DiDonato. I can't wait. Mild social networking games can be found on twitter at @mynameiscinders

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