News: Chicken's off

A bird in the hand may be worth throwing in the bush as after a week of scaring the general population with threats of 50,000 deaths in the UK from an outbreak of avian flu, this week the threat is what it will do to chicken sales? While there actually may be no link between the flu and dead chickens, all this talk of diseased birds are certainly putting one off a chicken roast for now. How the rest of Chicken mad Britain reacts is another matter…    

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Opera and full frontal nudity: Rigoletto

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David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

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Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

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Scenes from London: World Naked Bike Ride 2011

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Hundreds of cyclists braved the weather (well it turned out to be sunny once the ride started), narrow London streets, traffic, road works and pedestrians with long lenses on Saturday to mark the annual world naked bike ride, which (among other things) is a protest for more sustainable transport.

This year it seemed a little more chaotic with naked people having to wait at traffic lights surrounded by cars, red-faced taxi drivers, busses and tourists. If you ever have nightmares about being stranded naked in Piccadilly Circus, then this is the event to live them. It all helped underscore this year's message on cycling safety and how vulnerable cyclists are in the streets when motorists aren't aware of them.

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Game play: Lamplighters @ORLTheatre

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The world of spies as depicted in John Le Carre novels seems to be an unlikely source of amusement. All that drinking, bureaucracy and lying. But in Lamplighters it’s really a backdrop for some inspired improvisation and audience participation. Led by Neil Connolly as the spymaster, he’s living out a childhood dream to play spies... With a bunch of random audience members. It’s an immersive theatre experience. Which means that when you enter The Old Red Lion Theatre you can expect to be part of the entertainment.  But only if you want to.  After he’s finished chatting you up at the start (and sizing you up), there’s a slightly unconvincing mystery to solve, villains to find and stop. And a secret briefcase. And he needs the help of the audience to make it happen. And get laughs.This concept works well in making the ordinary seem hilarious. Assuming there’s always the right balance of weird and adventurous audience members to make the show hilarious every night.  On my night the audience…
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