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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Theatre: Sweet Charity



Sweet Charity has been playing on the West End since May, and it is still showing plenty of signs of life. At present the understudies are covering the roles of Charity, Nickie and Helene and are fantastic and serve as a reminder that you don't need to be a name to give a great performance.

The musical itself is an old fashioned musical fluffed up to some extent to make it feel less dated. It's a little bit coarser and dirtier and the drug use is a bit more explicit, but these changes make you feel like you are trapped in a time warp; torn between the sickly saccharine musical and the coarser (and far edgier) Fellini source material. Still this is the show that introduced the world to the numbers "Big Spender", "If my friends could see me now" and "Rhythm of Life" so there is a familiarity to the show for everyone even if you have never seen a musical before.

And while it is by no means a great musical, it does at least provide the actors with an opportunity to show off their singing, dancing and acting chops, and giving the opportunity to make every number a showstopper. The best revelation in this production was the number sung by the two jaded dance hall hostesses Nickie and Helene, "Baby, Dream Your Dream", which even amongst the superfluous sexual innuendo and drug use, conveyed such a sense of bittersweet disappointment. Tamzin Outhwaite is back in it for the rest of this month, but this show is worth catching anytime...

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