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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Music: Michael Feinstein

I caught Michael Feinstein's final concert at the Leicester Square theatre and he is sounding as good as ever. The last time I saw him he was performing with a big band at the Palladium. There was much gushing and gratuitous cameo celebrity appearances. This time around things were much smaller scale and far more enjoyable...

The programme included a selection of songs from the likes of Gershwin and Porter, which is now classified as "The American Songbook" A rather generic label for any song that is old (in danger of being lost), with a pleasant tune, and lyrics that are usually well written.


While his performance introduced a few new songs into the mix, what is nice about listening to Feinstein is his ability to give these songs a new lease of life. Even for songs you have heard him sing before he manages to make them sound as fresh and as interesting as they could ever be.

He has two new albums out as well - one with Barbara Cook and the other Fly Me To the Moon with guitarist Joe Negri. I still like his songs by the Gershwin's album best, Nice Work If You Can Get It. It must be fun travelling around singing this songs. And for a man in his fifties he is looking good for his age and in great shape... Maybe that is the trick to looking young and fit by being surrounded by audiences that are older and fatter... Or perhaps a sign that his fanbase could be broader...

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Play ball: Damn Yankees @LandorTheatre

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